1 8 42 https://lis5472.cci.fsu.edu/sp21/group4/files/original/e89467de5652ba55dc2f888231982570.jpg b23fd48df85ba2158e815db0f5fdbc9f Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource South America Description An account of the resource Include works and artists from Argentina, Bolivia, Brazil, Chile, Colombia, Ecuador, French Guiana, Guyana, Paraguay, Peru, Suriname, Uruguay, and Venezuela. Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Abaporu Date A point or period of time associated with an event in the lifecycle of the resource 1928 Subject The topic of the resource human figures; cactus; natural landscape Description An account of the resource ENG: The man that eats people. The subject of the painting was described by the artist as “a monstrous solitary figure, enormous feet, sitting on a green plain, the hand supporting the featherweight minuscule head. In front of a cactus exploding in an absurd flower.” The piece was painted for Amaral’s husband, the Brazilian poet and critic Oswald de Andrade, and inspired his Manifesto Antropófago proclaiming the need for Brazilian culture to “cannibalize” its colonial influences in order to assert its independence. Creator An entity primarily responsible for making the resource Amaral, Tarsila do Source A related resource from which the described resource is derived Material: Oil on canvas Measurements: 85 x 73 cm Contributor An entity responsible for making contributions to the resource Atkins, Brionna Rights Information about rights held in and over the resource Image and some original data provided to ARTSTOR by The University of Texas at Austin. Contact information: Sydney Kilgore, Media Coordinator, Visual Resources Collection, Fine Arts Library, The University of Texas at Austin, P.O. Box P, Austin, Texas, 78713-8916, (512) Relation A related resource <a href="https://library-artstor-org.proxy.lib.fsu.edu/#/asset/ABARNITZ_10310365531%20" target="_blank" rel="noreferrer noopener">https://library-artstor-org.proxy.lib.fsu.edu/#/asset/ABARNITZ_10310365531</a> Format The file format, physical medium, or dimensions of the resource Image/JPEG Type The nature or genre of the resource Still Image Identifier An unambiguous reference to the resource within a given context brazil_amaral_1928-a_2 Brazil canvas paintings oil paintings Tarsila do Amaral https://lis5472.cci.fsu.edu/sp21/group4/files/original/2fdee9d45a6176167576de2e7b31fa2e.jpg acc15039e9f35fd12bfe029b8d4f803a Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource South America Description An account of the resource Include works and artists from Argentina, Bolivia, Brazil, Chile, Colombia, Ecuador, French Guiana, Guyana, Paraguay, Peru, Suriname, Uruguay, and Venezuela. Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Surrealistic Composition Date A point or period of time associated with an event in the lifecycle of the resource 1929 Creator An entity primarily responsible for making the resource Nery, Ismael Source A related resource from which the described resource is derived Material: Oil on canvas Measurements: 67 x 56.5 cm Contributor An entity responsible for making contributions to the resource Atkins, Brionna Rights Information about rights held in and over the resource Image and some original data provided to ARTSTOR by The University of Texas at Austin. Contact information: Sydney Kilgore, Media Coordinator, Visual Resources Collection, Fine Arts Library, The University of Texas at Austin, P.O. Box P, Austin, Texas, 78713-8916, (512) Relation A related resource <a href="https://library-artstor-org.proxy.lib.fsu.edu/#/asset/ABARNITZ_10310365185;prevRouteTS=1616900235214" target="_blank" rel="noreferrer noopener">https://library-artstor-org.proxy.lib.fsu.edu/#/asset/ABARNITZ_10310365185;prevRouteTS=1616900235214 </a> Format The file format, physical medium, or dimensions of the resource Image/JPEG Type The nature or genre of the resource Still Image Identifier An unambiguous reference to the resource within a given context brazil_nery_1929_2 Subject The topic of the resource Surrealist; nude representation; natural objects Description An account of the resource This painting depicts a nude disfigured form, perhaps of a woman, with open, wide eyes and long hair. The figure is intertwined with natural elements, seemingly vines and roots. Brazil canvas paintings Ismael Nery oil paintings https://lis5472.cci.fsu.edu/sp21/group4/files/original/789625c27ac131c0b8d07ebfdd05f8c5.jpg 9fce4c203e428ab744c70dead0ec86cc Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource South America Description An account of the resource Include works and artists from Argentina, Bolivia, Brazil, Chile, Colombia, Ecuador, French Guiana, Guyana, Paraguay, Peru, Suriname, Uruguay, and Venezuela. Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Definitive Ascension of Christ Date A point or period of time associated with an event in the lifecycle of the resource 1932 Creator An entity primarily responsible for making the resource Carvalho, Flávio de Contributor An entity responsible for making contributions to the resource Atkins, Brionna Rights Information about rights held in and over the resource Image and some original data provided to ARTSTOR by The University of Texas at Austin. Contact information: Sydney Kilgore, Media Coordinator, Visual Resources Collection, Fine Arts Library, The University of Texas at Austin, P.O. Box P, Austin, Texas, 78713-8916, (512) Relation A related resource <a href="https://library-artstor-org.proxy.lib.fsu.edu/#/asset/ABARNITZ_10310363946" target="_blank" rel="noreferrer noopener">https://library-artstor-org.proxy.lib.fsu.edu/#/asset/ABARNITZ_10310363946 </a> Format The file format, physical medium, or dimensions of the resource Image/JPEG Type The nature or genre of the resource Still Image Identifier An unambiguous reference to the resource within a given context brazil_carvalho_1932_2 Source A related resource from which the described resource is derived Material: Oil on canvas Measurements: unknown Subject The topic of the resource geometric shapes; abstraction; Surrealist Description An account of the resource This painting depicts multiple abstract and distorted shapes with various human facial features. Brazil canvas paintings Flávio de Carvalho oil paintings https://lis5472.cci.fsu.edu/sp21/group4/files/original/c2122b546d4ed4f6e2eb8786614e1624.jpg 48a62f007f4a4f8928bd0822f66a61e0 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource South America Description An account of the resource Include works and artists from Argentina, Bolivia, Brazil, Chile, Colombia, Ecuador, French Guiana, Guyana, Paraguay, Peru, Suriname, Uruguay, and Venezuela. Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource O Ovo (Urutu) Date A point or period of time associated with an event in the lifecycle of the resource 1928 Creator An entity primarily responsible for making the resource Amaral, Tarsila do Source A related resource from which the described resource is derived Material: Oil on canvas Measurements: 60 x 72 cm Contributor An entity responsible for making contributions to the resource Atkins, Brionna Rights Information about rights held in and over the resource Image and some original data provided to ARTSTOR by The University of Texas at Austin. Contact information: Sydney Kilgore, Media Coordinator, Visual Resources Collection, Fine Arts Library, The University of Texas at Austin, P.O. Box P, Austin, Texas, 78713-8916, (512) Relation A related resource <a href="https://library-artstor-org.proxy.lib.fsu.edu/#/asset/ABARNITZ_10310365478" target="_blank" rel="noreferrer noopener">https://library-artstor-org.proxy.lib.fsu.edu/#/asset/ABARNITZ_10310365478 </a> Format The file format, physical medium, or dimensions of the resource Image/JPEG Type The nature or genre of the resource Still Image Identifier An unambiguous reference to the resource within a given context brazil_amaral_1928-b_2 Description An account of the resource ENG: The Egg (Viper). This painting depicts a large white egg and an outstretched snake partially wrapped around a pointed stake. Subject The topic of the resource egg; snake; natural landscape Brazil canvas paintings oil paintings Tarsila do Amaral https://lis5472.cci.fsu.edu/sp21/group4/files/original/282ba9acbe2867a3524ce3ac1de22401.jpg 83acc9afebe7cf889c2eaabb2f60fef3 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource South America Description An account of the resource Include works and artists from Argentina, Bolivia, Brazil, Chile, Colombia, Ecuador, French Guiana, Guyana, Paraguay, Peru, Suriname, Uruguay, and Venezuela. Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource The Impossible, III Date A point or period of time associated with an event in the lifecycle of the resource 1946 Creator An entity primarily responsible for making the resource Martins, Maria Source A related resource from which the described resource is derived Material: Bronze Measurements: 80 x 82.5 x 53.3 cm Contributor An entity responsible for making contributions to the resource Atkins, Brionna Rights Information about rights held in and over the resource Image and some original data provided to ARTSTOR by The Museum of Modern Art http://www.moma.org Relation A related resource <a href="https://library-artstor-org.proxy.lib.fsu.edu/#/asset/AMOMA_10312311061" target="_blank" rel="noreferrer noopener">https://library-artstor-org.proxy.lib.fsu.edu/#/asset/AMOMA_10312311061 </a> Format The file format, physical medium, or dimensions of the resource Image/JPEG Type The nature or genre of the resource Still Image Identifier An unambiguous reference to the resource within a given context brazil_martins_1946_2 Subject The topic of the resource Surrealist; bronzes; human figures Description An account of the resource This sculpture depicts two human-like forms with spiky tendrils reaching or pointing towards one another. Brazil bronzes Maria Martins https://lis5472.cci.fsu.edu/sp21/group4/files/original/434847bbe93f2b263972373f7a69f79b.jpg 98d789b641132e8144d05e48918b9a6d Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Painting of figures with crescent-shaped faces, recalling African or Pacific Islander masks, against a background of Cuban sugarcane fields. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Caribbean Description An account of the resource Include works and artists from Cuba, Dominican Republic, Puerto Rico, and Haiti. Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource La Jungla Subject The topic of the resource Painting--Cuba--20th C. A.D; cubism; masks; primitivism. Description An account of the resource ENG: Jungle. Lam aimed for The Jungle to convey the haunting consequences of slavery and colonialism for his native island of Cuba. He depicted figures with crescent-shaped faces, recalling African or Pacific Islander masks, against a background of Cuban sugarcane fields. Creator An entity primarily responsible for making the resource Lam, Wifredo Source A related resource from which the described resource is derived Material: gouache on paper, mounted on canvas. Measurements: 239.4 x 229 cm. Date A point or period of time associated with an event in the lifecycle of the resource 1944 Contributor An entity responsible for making contributions to the resource Ballester-Clemente, Irina Rights Information about rights held in and over the resource © 2007 Artists Rights Society (ARS), New York / ADAGP, Paris. Format The file format, physical medium, or dimensions of the resource Image/JPEG Type The nature or genre of the resource Still Image Identifier An unambiguous reference to the resource within a given context cuba_lam_1944_2 Relation A related resource <a href="https://library-artstor-org.proxy.lib.fsu.edu/#/asset/ARTSTOR_103_41822003738844">https://library-artstor-org.proxy.lib.fsu.edu/#/asset/ARTSTOR_103_41822003738844</a> Cuba Wifredo Lam https://lis5472.cci.fsu.edu/sp21/group4/files/original/b62cf677d6234a2b7781f4fc008418ad.jpeg a2315af6e8c6ec7039dbc314f651040f Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Caribbean Description An account of the resource Include works and artists from Cuba, Dominican Republic, Puerto Rico, and Haiti. Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Zambezia, Zambezia Subject The topic of the resource Art; modern art; surrealism. Description An account of the resource Painting. In Zambezia, Zambezia Lam depicted an iconic woman partly inspired by the femme-cheval (horse-headed woman) of the Santeria cult. He frequently used the device of transmogrification of body parts to suggest magical metamorphosis, inspired by indigenous American and African ritual objects. In this painting it is manifested in the testicle “chin” of the figure. Creator An entity primarily responsible for making the resource Lam, Wifredo Source A related resource from which the described resource is derived Material: oil on canvas. Measurements: 124.5 x 109.2 cm Date A point or period of time associated with an event in the lifecycle of the resource 1950 Contributor An entity responsible for making contributions to the resource Ballester-Clemente, Irina Rights Information about rights held in and over the resource © 2007 Artists Rights Society (ARS), New York / ADAGP, Paris. Format The file format, physical medium, or dimensions of the resource Image/JPEG Type The nature or genre of the resource Still Image Identifier An unambiguous reference to the resource within a given context cuba_lam_1950_2 Relation A related resource <a href="https://library-artstor-org.proxy.lib.fsu.edu/#/asset/AGUGGENHEIMIG_10313464396">https://library-artstor-org.proxy.lib.fsu.edu/#/asset/AGUGGENHEIMIG_10313464396 </a> Cuba Wifredo Lam https://lis5472.cci.fsu.edu/sp21/group4/files/original/104be7f488368e2a064c88942c532cc6.jpeg e14d29fab7586fe86218ade30da3237c Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource South America Description An account of the resource Include works and artists from Argentina, Bolivia, Brazil, Chile, Colombia, Ecuador, French Guiana, Guyana, Paraguay, Peru, Suriname, Uruguay, and Venezuela. Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Untitled Subject The topic of the resource Collage Description An account of the resource Abstracted collage on earth tone background. Creator An entity primarily responsible for making the resource Moro, Cesar Source A related resource from which the described resource is derived Material: collage Measurements: 29 x 20cm Date A point or period of time associated with an event in the lifecycle of the resource Unknown Contributor An entity responsible for making contributions to the resource McCabe, Bryan Rights Information about rights held in and over the resource ©University of Texas at Austin Relation A related resource <a href="https://library-artstor-org.proxy.lib.fsu.edu/#/asset/ABARNITZ_10310364464">https://library-artstor-org.proxy.lib.fsu.edu/#/asset/ABARNITZ_10310364464</a> Format The file format, physical medium, or dimensions of the resource Image/JPEG Type The nature or genre of the resource Still Image Identifier An unambiguous reference to the resource within a given context peru_moro_unknown_2 Cesar Moro Peru Surrealism