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      <src>https://lis5472.cci.fsu.edu/sp21/group4/files/original/e89467de5652ba55dc2f888231982570.jpg</src>
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            <name>Title</name>
            <description>A name given to the resource</description>
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                <text>South America</text>
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            <name>Description</name>
            <description>An account of the resource</description>
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                <text>Include works and artists from Argentina, Bolivia, Brazil, Chile, Colombia, Ecuador, French Guiana, Guyana, Paraguay, Peru, Suriname, Uruguay, and Venezuela.</text>
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    <name>Still Image</name>
    <description>A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials.</description>
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          <name>Title</name>
          <description>A name given to the resource</description>
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              <text>Abaporu</text>
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              <text>1928</text>
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          <name>Subject</name>
          <description>The topic of the resource</description>
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              <text>human figures; cactus; natural landscape</text>
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          <name>Description</name>
          <description>An account of the resource</description>
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              <text>ENG: The man that eats people. The subject of the painting was described by the artist as “a monstrous solitary figure, enormous feet, sitting on a green plain, the hand supporting the featherweight minuscule head. In front of a cactus exploding in an absurd flower.” The piece was painted for Amaral’s husband, the Brazilian poet and critic Oswald de Andrade, and inspired his Manifesto Antropófago proclaiming the need for Brazilian culture to “cannibalize” its colonial influences in order to assert its independence.</text>
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              <text>Amaral, Tarsila do</text>
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              <text>Material: Oil on canvas&#13;
Measurements: 85 x 73 cm</text>
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          <name>Contributor</name>
          <description>An entity responsible for making contributions to the resource</description>
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              <text>Atkins, Brionna</text>
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          <description>Information about rights held in and over the resource</description>
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              <text>Image and some original data provided to ARTSTOR by The University of Texas at Austin. Contact information: Sydney Kilgore, Media Coordinator, Visual Resources Collection, Fine Arts Library, The University of Texas at Austin, P.O. Box P, Austin, Texas, 78713-8916, (512)</text>
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              <text>&lt;a href="https://library-artstor-org.proxy.lib.fsu.edu/#/asset/ABARNITZ_10310365531%20" target="_blank" rel="noreferrer noopener"&gt;https://library-artstor-org.proxy.lib.fsu.edu/#/asset/ABARNITZ_10310365531&lt;/a&gt;</text>
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              <text>Image/JPEG</text>
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          <description>The nature or genre of the resource</description>
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              <text>Still Image</text>
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          <name>Identifier</name>
          <description>An unambiguous reference to the resource within a given context</description>
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      <name>Brazil</name>
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      <name>canvas paintings</name>
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      <name>oil paintings</name>
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      <name>Tarsila do Amaral</name>
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