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Zafir Hamady, a sales clerk at Red Hot Bluewater, has an unusual theory: he doesn’t think Brennan is a bad lover. In fact, he doesn’t think Brennan is heterosexual. Or sexual at all, for that matter. He also can’t stop thinking about Brennan. But even if he’s right and Brennan really is asexual, that doesn’t mean Zafir has a chance. Brennan’s never dated a man, and Zafir’s never met anyone who’s game for a Muslim single father with a smart mouth and a GED.&#13;
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                <text>&lt;em&gt;Absence is as crucial as presence.&lt;/em&gt; &lt;br /&gt;&lt;br /&gt;The decision to stop dating has made Vaughn Hargrave’s life infinitely simpler: he has friends, an excellent wardrobe, and a job in the industry he loves. That’s all he really needs, especially since sex isn’t his forte anyway and no one else seems interested in a purely romantic connection. But when a piece is stolen from his art gallery and insurance investigator Jonah Sondern shows up, Vaughn finds himself struggling with that decision. &lt;br /&gt;&lt;br /&gt;Jonah wants his men like his coffee: hot, intense, and daily. But Vaughn seems to be the one gay guy in Toronto who doesn’t do hookups, which is all Jonah can offer. No way can Jonah give Vaughn what he really wants, not when Jonah barely understands what love is. &lt;br /&gt;&lt;br /&gt;When another painting goes missing, tension ramps up both on and off the clock. Vaughn and Jonah find themselves grappling not just with stolen art, but with their own differences. Because a guy who wants nothing but romance and a guy who wants nothing but sex will never work—right? Not unless they find a way to fill in the spaces between them. -Goodreads</text>
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