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                <text>Legend of Silver Springs</text>
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                <text>Legend of Sliver Springs </text>
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                <text>Seminole Indian Village, Silver Springs, FL. Silver Springs is located in Ocala, FL. This location has been inhabited for thousands of years by Native people, including the Seminole Indians, and later by white settlers. In the 1930s, Ross Allen opened a reptile institute at the Silver Springs tourist attraction. Pedro Zepeda, Seminole Tribal member and Naples resident, reads Ross Allen's account of opening the Seminole Village at Silver Springs. Ross Allen's interview was conducted on November 11, 1970 by the University of Florida's Samuel Proctor Oral History Program. The second description comes from a former Ross Allen employee, Earl Debary. Earl describes the skills and knowledge of canoe builder Charlie Cypress. The last oral history comes from George Billie, Big Cypress Reservation resident and grandson of Charlie Cypress. In George's account, he shares the legend of Silver Springs as it was told to him by his grandmother.</text>
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              <text>&lt;a href="http://www.floridamemory.com/items/show/235227" title="Interview with David Motlow"&gt;http://www.floridamemory.com/items/show/235227&lt;/a&gt;</text>
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                <text>Fieldwork&#13;
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Florida history&#13;
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Interviews&#13;
Sound recordings&#13;
Mikasuki language&#13;
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                <text>Two reel to reels. (Copied onto C81-55 and C81-56.) Interview with Seminole cultural program administrator Motlow about Seminole heritage and history. They discuss Seminole folklore; tribal healers; teaching heritage to new generations; differences between Mikasuki (Miccosukee) and Seminoles; patchwork; doll making; and native languages (Muskogee and Miccosukee). Also includes the start of an interview with Jim Billie. The recordings were created for the Florida Folklife Program's Seminole Slide and Tape Project, a program sponsored by the American Express Company in 1982-1983 to create two educational slide/tape programs for use by schools, community groups, and other educational outlets. One program dealt with sweetgrass basket making; the other on traditional Seminole patchwork. Recordings of the finished program tapes can be found in S 1576, Box 10. Teacher guides, program scripts, and documentation of the project can be found in S 1595, Box 1.</text>
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                <text>Late 20th-Century Florida (1968-2000)</text>
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                <text>Fieldwork&#13;
Interviews&#13;
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Ethnicity, Seminole&#13;
Seminole Indians&#13;
Native Americans&#13;
Politics and culture&#13;
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                <text>Three reel to reels (also copied onto C84-112/114). Cypress talks about Seminole culture. She discusses the role of television; Mikasuki language; the effect of drainage canals on leisure activities; air conditioning; healers; marriages; parental discipline; food such as sofke and coontie palm; stick ball game; influence of Western society upon Seminole culture; education; drug use on reservations; lullabies; traditional songs; and basket making. The Seminole Video Project was a joint project between the Florida Folklife Program and WFSU-TV. Completed in Spring 1984, and financed by a Florida Endowment for the Humanities grant with the support of the Seminole Tribe of Florida, the project culminated in a thirty-minute documentary entitled "Four Corners of the Earth" which profiled Ethel Santiago, a Seminole craftswoman and Tribal representative. The program addressed such issues as cultural retention within contemporary society; the role of women in Seminole society; traditional Seminole foods, arts, and medicine; and the changing emphasis on clan affiliations. The project covered Seminoles on the Big Cypress and Hollywood Reservations and at Immokalee, Florida. Raw video footage, along with the finished product, can be found in S 1615, V84-16 through V-84-24. Images from the project can be found in S 1577, v. 23, slides S83-2994 - S83-3020.</text>
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              <text>&lt;a href="http://www.floridamemory.com/items/show/235234" title="Interview with Agnes Cypress"&gt;http://www.floridamemory.com/items/show/235234&lt;/a&gt;</text>
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Interviews&#13;
Sound recordings&#13;
Oral histories&#13;
Native Americans&#13;
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Seminole Indians&#13;
Indian reservations&#13;
Mikasuki language&#13;
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                <text>Two reel to reels. Agnes was the daughter of Seminole Susie Billie, a medicine woman. She discusses medicine; medical treatment on reservations; learning traditional medicine; Green Corn Dance; role of women in medicine; dreams; burial practices; various cures; hair styles; Mikasuki language; and crafts. The Seminole Video Project was a joint project between the Florida Folklife Program and WFSU-TV. Completed in Spring 1984, and financed by a Florida Endowment for the Humanities grant with the support of the Seminole Tribe of Florida, the project culminated in a thirty-minute documentary entitled &amp;quot;Four Corners of the Earth&amp;quot; which profiled Ethel Santiago, a Seminole craftswoman and Tribal representative. The program addressed such issues as cultural retention within contemporary society; the role of women in Seminole society; traditional Seminole foods, arts, and medicine; and the changing emphasis on clan affiliations. The project covered Seminoles on the Big Cypress and Hollywood Reservations and at Immokalee, Florida. Raw video footage, along with the finished product, can be found in S 1615, V84-16 through V-84-24. Images from the project can be found in S 1577, v. 23, slides S83-2994 - S83-3020.</text>
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                <text>Two audio cassettes. Recording of Billie and Cypress identifying medicinal herbs and discussing their uses. For images of the identifications, see S 1577, v. 31. The Folk Arts Apprenticeship Program began in 1983 with a NEA grant of $22,000. The program provided an opportunity for master folk artists to share technical skills and cultural knowledge with apprentices in order to keep the tradition alive. Apprentices must have had some experience in the tradition and agreed to train for at least six months. The first project director was Blanton Owen, who was later replaced by folklorist Peter Roller. The program was continued each year until 2003.</text>
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Eight reel-to-reel tapes. A long interview with Santiago, with Osceola contributing at the start. They discuss the clan system, marriage, the Green Corn Dance, dugout canoes, ranching, medicine, parental roles, education, healing, palmetto basket making, Harriet Bedell, Christianity, gender roles, reservation politics and government, Mikasuki language, cultural loss and retention, Big Cypress Reservation, foodways, bread, sofkee, air boats, tourism, cures, marriage, Green Corn Dance, ball games, Seminole religion and beliefs, animal tales, child rearing, pregnancy, twin stories, the effects of television and various Seminole stories/tales. Much of the recordings are marred by background construction noise.&#13;
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Florida Folklife Program</text>
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                <text>State Library and Archives of Florida</text>
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                <text>Four reel-to-reel audio recordings. Interview begins on the second half of T81-87, continues on T81-85, T81-86 and concludes on T81-88. Seminole chairman Billie discusses what the Seminole Tribe is attempting to do with their museum; which aspects of their culture he is trying to preserve; artists he feels represent Seminoles well, including David "Bob" Motlow, Sr., Will McLean, Guy LaBree; folk tales; his election as Seminole chairman; fighting in Vietnam; differences between the Seminole and Miccosukee (Billie is a Miccosukee by birth, though chairman of the Seminole tribe); the rabbit as a folk character in Seminole culture; connections between Seminole and African tales; the Green Corn dance; Seminole religion and Christianity; healer Josie Billie; and manhood initiations. Audiocassette copies were made as C81-57, C81-58 &amp; C81-59.</text>
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Seminole Tribe of Florida</text>
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Seminole Tribe of Florida</text>
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                <text>State Library and Archives of Florida</text>
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Florida Folklife Program</text>
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