1 15 7 https://lis5472.cci.fsu.edu/sp25sec1sec2/group7/files/original/a530718dc86022e3d76dacddb1637591.jpeg 0e3b98afc51dde26c68a6fe488c31675 Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Physical Dimensions The actual physical size of the original image 932 x 1280 Original Format The type of object, such as painting, sculpture, paper, photo, and additional data photo Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Queen Victoria's Wedding Dress Subject The topic of the resource Wedding costume Description An account of the resource Wedding dress ensemble of cream silk satin; comprising pointed boned bodice lined with silk, elbow length gathered sleeves; deep lace flounces at neck and sleeves and plain untrimmed skirt en suite, gathered into waist with unpressed pleats. (1840) Although the fashion at this time was for Brussels lace, Queen Victoria commissioned Honiton lace for her wedding ensemble, reviving the flagging lace industry in Honiton, Devon. This decision may have been made in relation to criticism of the Queen's preference for French textiles, made two years earlier by Lord Melbourne. Partly designed by the Pre-Raphaelite artist William Dyce, the design of the lace was very modern and Queen Victoria was to use the same design numerous times throughout her life. She continued to use it on her own clothes and those of her children and insisted that Honiton lace be used to trim the wedding dresses of her daughters-in-law. Source A related resource from which the described resource is derived https://www.rct.uk/collection/71975/queen-victorias-wedding-dress Contributor An entity responsible for making contributions to the resource Savannah Mahone Rights Information about rights held in and over the resource Open Access Publisher An entity responsible for making the resource available Uploaded to Royal Collection Trust Digital Collection Format The file format, physical medium, or dimensions of the resource jpg Language A language of the resource eng Type The nature or genre of the resource Still image Identifier An unambiguous reference to the resource within a given context WDDL_R020_w_England_RoyalWeddingDress_699190-1681404784.jpeg Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant London, England 1840 Creator An entity primarily responsible for making the resource Mary Bettans Relation A related resource England Date A point or period of time associated with an event in the lifecycle of the resource Uploaded: https://lis5472.cci.fsu.edu/sp25sec1sec2/group7/files/original/89af3e8c6380f8790ab9a7fcdca4c69e.jpeg 33322a2f3ea6f1407c1182fe40cbeaf7 Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Physical Dimensions The actual physical size of the original image 566 x 826 Original Format The type of object, such as painting, sculpture, paper, photo, and additional data photo Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Lord and Lady Ninian Crichton-Stuart, wedding portrait. Subject The topic of the resource Wedding costume Language A language of the resource eng Description An account of the resource Lord Ninian Edward Crichton-Stuart (1883-1915); 2nd son of 3rd Marquis of Bute; Conservative MP for Cardiff 1910-1915; Lieut-Col. 6th Welsh Regiment; killed in action 1915. Lady Ninian Edward Crichton-Stuart, later Hon Mrs Archibald Henry Maule Ramsay, née Ismay (Lucretia Mary) Preston (d. 1955); only daughter of 4th Viscount Gormanston; m. 1stly (1906) Lord Ninian Edward Crichton-Stuart; m. 2ndly (1917) Captain Archibald Henry Maule Ramsay. Wedding dress: "...white satin trimmed with old Brussels lace, the skirt embroidered in silver and oak leaves, while beneath her Brussels lace veil she wore a spray of real orange flowers" (The Ladies' Field, 23 June 1906, p 76b). Source A related resource from which the described resource is derived http://lafayette.org.uk/stu5099b.html Publisher An entity responsible for making the resource available Uploaded to The Lafayette Negative Archive Date A point or period of time associated with an event in the lifecycle of the resource Uploaded: Contributor An entity responsible for making contributions to the resource Savannah Mahone Rights Information about rights held in and over the resource Creative Commons Relation A related resource Scotland Format The file format, physical medium, or dimensions of the resource jpg Identifier An unambiguous reference to the resource within a given context WDDL_R019_w_Scotland_Bride_Groom_5178902338_0288ddd43f_b.jpeg Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Ayrshire, Scotland 1906 Type The nature or genre of the resource Still image Creator An entity primarily responsible for making the resource V&A Lafayette https://lis5472.cci.fsu.edu/sp25sec1sec2/group7/files/original/6ca7e590c5a784dd0a180c054ba1e401.jpeg 0f6b496200131569c25848738f96672a Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Physical Dimensions The actual physical size of the original image 3153 x 5605 Original Format The type of object, such as painting, sculpture, paper, photo, and additional data photo Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Bride in Wedding Dress Standing on Railway Subject The topic of the resource Wedding costume Source A related resource from which the described resource is derived https://www.pexels.com/photo/bride-in-wedding-dress-standing-on-railway-20372113/ Contributor An entity responsible for making contributions to the resource Savannah Mahone Rights Information about rights held in and over the resource Free Use Format The file format, physical medium, or dimensions of the resource jpg Language A language of the resource eng Creator An entity primarily responsible for making the resource Zaur Takhgiriev Date A point or period of time associated with an event in the lifecycle of the resource Uploaded: 2024/02/23 Description An account of the resource Woman standing in front of a railway; wearing blue lace dress with full sleeves Blue was historically representative of luck, purity, and fidelity. Brides wore blue wedding dresses to symbolize their devotion and love to their partners. Typical Irish dresses were simple with a bit of lace if you were well off. Publisher An entity responsible for making the resource available Uploaded to pexels Identifier An unambiguous reference to the resource within a given context WDDL_R018_w_Ireland_Wedding_Dress_pexels-zkadoshi-20372113.jpeg Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant 2022 Contemporary Irish people from Ireland Type The nature or genre of the resource Still image Relation A related resource Ireland https://lis5472.cci.fsu.edu/sp25sec1sec2/group7/files/original/bc4b8e157c203dfbb069b60bc724dff9.jpg 5b043c692198e6a79fde69ca44b030d2 Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Original Format The type of object, such as painting, sculpture, paper, photo, and additional data photo Physical Dimensions The actual physical size of the original image 1920 x 1440 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Wedding - Boda en San Miguel Chicaj, Baja Verapaz, Guatemala Subject The topic of the resource Wedding costume Creator An entity primarily responsible for making the resource Lon&Queta Source A related resource from which the described resource is derived https://flic.kr/p/6x9SDw Publisher An entity responsible for making the resource available Uploaded to flickr Date A point or period of time associated with an event in the lifecycle of the resource Uploaded: 2009/06/17 Contributor An entity responsible for making contributions to the resource Aura Esterling Rights Information about rights held in and over the resource Attribution NonCommercial ShareAlike 2.0 Generic Relation A related resource Guatemala Format The file format, physical medium, or dimensions of the resource jpg Type The nature or genre of the resource Still image Identifier An unambiguous reference to the resource within a given context WDDL_R017_w_Guatemala_3634326488_1cbaf7bfc2_o Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Baja Verapaz, Guatemala 2007 Boda Tradicional en Guatemala Description An account of the resource An image of an Guatemalan bride and husband along with their bridesmaids as they are preparing for the ceremonial procession. The bride is adorned in a colorful handwoven gown and a long white veil to accompany the flowers in her hand as her bridemaids wear dresses coordinating with her color scheme Language A language of the resource esp https://lis5472.cci.fsu.edu/sp25sec1sec2/group7/files/original/a34fb21b4922b7888a85eb6052e26e8e.jpg 5373d221d780902407f28cf8e96e1f58 Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Original Format The type of object, such as painting, sculpture, paper, photo, and additional data photo Physical Dimensions The actual physical size of the original image 750 x 1000 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Going Away dress Contributor An entity responsible for making contributions to the resource Alexandria Pilkington Subject The topic of the resource Wedding costume Description An account of the resource Woman’s dress or Going-Away dress, consisting of bodice (E.1988.104.2.a) and matching skirt (E.1988.104.2.b), in fine blue wool broadcloth decorated with a scrolling border design in applied slightly purple-blue solid cut pile silk velvet, navy ribbed silk, wide and narrow navy silk braids. Bodice with high standing collar, fitted bodice fastening centre front with alternatively overlapping tabs with wool and braid covered buttons. Full-length sleeves with very slight gathering into shoulders, cut with curved elbows, scalloped cuffs. Collar, bodice, upper sleeves and cuffs decorated with appliquéd scrolling design incorporating flower heads. Lined with cream silk satin with woven cream silk label inside centre back ‘[Crest] Mesdes Hayward / Court Dressmakers / 64 New Bond Str. / LONDON W.’ Skirt, full-length, gored-panel skirt with additional darts at hips and flaring out below the knee. Fastening centre front waist with alternatively overlapping tabs with wool and braid covered buttons that continue down to hem. Centre-front and hem decorated with appliquéd pattern edged with braid. Lined in blue silk. Worn as a Going Away outfit by Elizabeth Kerr Holms-Kerr at her marriage to John Deans Hope on 29 March 1899 at Park Church, Glasgow. The Statutory Register of Marriages states '1889 on the Twenty-ninth day of March at Park Church, Glasgow, After Banns according to the Church of Scotland John D. Hope, Stockbroker (Bachelor), 38, Inchmartin, Inchture [and] E. K. Holms-Kerr (Spinster) 26, 27 Park Circus, Glasgow'. This outfit was the inspiration for the walking dress made by staff at North Glasgow College was worn by Lord Provost Liz Cameron in the Lord Provost’s Pageant in 2006. Creator An entity primarily responsible for making the resource Glasglow museums Source A related resource from which the described resource is derived https://collections.glasgowmuseums.com/mwebcgi/mweb?request=record;id=458713;type=101# Publisher An entity responsible for making the resource available Uploaded to Glasgow museums Rights Information about rights held in and over the resource Creative Commons Attribution-NonCommercial 4.0 International License. Relation A related resource England Format The file format, physical medium, or dimensions of the resource jpg Language A language of the resource eng Type The nature or genre of the resource Still image Identifier An unambiguous reference to the resource within a given context WDDL_R009_w_England_E.1988.104.2_03_S Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant London, England 1899 Date A point or period of time associated with an event in the lifecycle of the resource Uploaded: https://lis5472.cci.fsu.edu/sp25sec1sec2/group7/files/original/02a77bfc1a636cf5e0f312b683af15d7.jpg 230a34773240ce2ef9ff4044a5d1f97c Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Original Format The type of object, such as painting, sculpture, paper, photo, and additional data photo Physical Dimensions The actual physical size of the original image 4000 x 6000 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Contributor An entity responsible for making contributions to the resource Savannah Mahone Title A name given to the resource Scottish Groom and Best Man in Kilts Creator An entity primarily responsible for making the resource Lewis Ashton Publisher An entity responsible for making the resource available Uploaded to pexels Rights Information about rights held in and over the resource Creative Commons license Format The file format, physical medium, or dimensions of the resource jpg Language A language of the resource eng Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant 2022 Scotland (white, Scottish Highlands) Identifier An unambiguous reference to the resource within a given context WDDL_R004_w_Scotland_Wedding_Groom_pexels-photo-11564959.jpg Source A related resource from which the described resource is derived https://www.pexels.com/photo/scottish-groom-and-best-man-in-kilts-11564959/ Date A point or period of time associated with an event in the lifecycle of the resource Uploaded: 2022/03/22 Type The nature or genre of the resource Still image Subject The topic of the resource Wedding costume Description An account of the resource Groom and Best Man photographed together wearing traditional Scottish attire, tartan kilts. Kilts are made of worsted wool and heavy pleats at the sides and back in a tartan pattern. Tartan patterns are unique to the Scottish clan system and has been around since the 16th century. Mainly a male clothing item, kilts are worn for formal occasions, Highland games, and historically, in battle. Relation A related resource Scotland https://lis5472.cci.fsu.edu/sp25sec1sec2/group7/files/original/5ac0b93c4544a42dca612a34af9beafd.jpg 65cf5ff7e3a7021c3378e79a7b580e24 Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Physical Dimensions The actual physical size of the original image 336.47 x 512.4 Original Format The type of object, such as painting, sculpture, paper, photo, and additional data photo Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Contributor An entity responsible for making contributions to the resource Savannah Mahone Title A name given to the resource Traditional Irish Wedding Gown Subject The topic of the resource Wedding costume Source A related resource from which the described resource is derived https://www.metmuseum.org/art/collection/search/156403 Publisher An entity responsible for making the resource available Metropolitan Museum of Art Date A point or period of time associated with an event in the lifecycle of the resource Uploaded: 2010 Format The file format, physical medium, or dimensions of the resource Still image Language A language of the resource eng Identifier An unambiguous reference to the resource within a given context WDDL_R003_w_Ireland_Wedding_Dress_22.47_CP4.jpg Rights Information about rights held in and over the resource Public domain Type The nature or genre of the resource jpg Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant 1870 Modern Irish people from Ireland Creator An entity primarily responsible for making the resource Lea Christiano Description An account of the resource Cream crotchet cotton lace, Irish type (1870) Three-dimensional motifs, including roses, lilies of the valley, hanging fuchsias, morning glories, buds, and berries, interspersed among flat and folded leaves and ferns, animate the surface of this extraordinary lace dress. The naturalistic rendering and intricacy of the work set this apart from the ubiquitous formulaic designs typical of Irish crotchet lace. Relation A related resource Ireland