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                  <text>Mangaka</text>
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              <text>&lt;h2&gt;2020s&lt;/h2&gt;&#13;
&lt;p&gt;&lt;strong&gt;2021&lt;/strong&gt;&lt;br /&gt;Hikaru ga Shinda Natsu (光が死んだ夏) | Published in English as &lt;a target="_blank" class="text-primary underline" href="https://lis5472.cci.fsu.edu/sp26/group6/items/show/17" rel="noopener"&gt;"The Summer Hikaru Died"&lt;/a&gt; (2021, 2025- present)&lt;/p&gt;</text>
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              <text>Unknown</text>
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              <text>&lt;p&gt;Mokumokuren is a contemporary Japanese manga creator best known for &lt;a target="_blank" class="text-primary underline" href="https://lis5472.cci.fsu.edu/sp26/group6/items/show/17" rel="noopener"&gt;"The Summer Hikaru Died"&lt;/a&gt;. They first conceived the series while studying for high school entrance exams, then began posting drawings on Twitter after graduating in early 2021. Approached by Kadokawa's Young Ace Up editorial department, they accepted serialization, making this work their professional debut.&lt;/p&gt;&#13;
&lt;p&gt;Their horror philosophy prioritizes emotional realism over shock value, amplifying dread through the relationships between characters rather than frightening imagery alone. &lt;em&gt;The Summer Hikaru Died&lt;/em&gt; won first place in the male reader's category of Takarajimasha's &lt;em&gt;Kono Manga ga Sugoi!&lt;/em&gt; in 2023, was nominated for the Eisner Award for Best Writer/Artist in 2024, and has been adapted into a novel and anime series.&lt;/p&gt;&#13;
&lt;p&gt;Mokumokuren takes their pen name from a particular yokai - watchful eyes that grow on neglected shoji screens - and keeps their personal identity private.&lt;br /&gt;&lt;br /&gt;For Reference:&amp;nbsp;&lt;br /&gt;&lt;br /&gt;&lt;a href="https://www.animenewsnetwork.com/interview/2024-07-24/small-town-horror-with-the-summer-hikaru-died-creator-mokumokuren/.211571" target="_blank" rel="noopener"&gt;A 2024 Interview with Anime News Network&lt;/a&gt;&lt;/p&gt;</text>
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                <text>Mokumokuren</text>
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                <text>モクモクれん</text>
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                <text>Mokomoku Ren</text>
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              <text>1958</text>
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              <text>Hokkaido, Japan</text>
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              <text>&lt;p&gt;Known as the "Queen of Horror Manga", Kanako Inuki (犬木加奈子) is a Japanese manga artist born in Hokkaidō in 1958. She made her debut in 1987 with the short story &lt;em&gt;Orusuban (おるすばん)&lt;/em&gt; (literally "House-sitting"), published in a special edition of &lt;em&gt;Shōjo Friend&lt;/em&gt; compiled by &lt;a href="https://lis5472.cci.fsu.edu/sp26/group6/items/show/21" target="_blank" rel="noopener"&gt;Kazuo Umezu.&lt;/a&gt;&lt;/p&gt;&#13;
&lt;p&gt;She became a central figure in the 1990s horror manga boom, publishing in magazines including &lt;em&gt;Suspiria&lt;/em&gt;, &lt;em&gt;Horror House&lt;/em&gt;, and &lt;em&gt;Suspense &amp;amp; Horror&lt;/em&gt;. She has named Kazuo Umezu and Hideshi Hino among her influences.&lt;/p&gt;&#13;
&lt;p&gt;Her work often blends folklore, dark irony, and psychological menace, with a recurring focus on girls and women as both victims and perpetrators of cruelty. Her series &lt;em&gt;School Zone&lt;/em&gt; and &lt;em&gt;Presents&lt;/em&gt; were published in English in the 2000s, and a new English collection introduced her work to a new generation of readers in 2022.&lt;/p&gt;</text>
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              <text>&lt;p&gt;&lt;em&gt;A relatively small amount of works by Kanako Inuki have been published in English, and information about her in English is limited. Therefore, this list is likely incomplete.&lt;/em&gt;&lt;/p&gt;&#13;
&lt;h2&gt;&lt;br /&gt;1980s&lt;/h2&gt;&#13;
&lt;strong&gt;1987&lt;/strong&gt; &lt;br /&gt;Orusuban (おるすばん)&lt;br /&gt;&lt;br /&gt;&#13;
&lt;h2&gt;1990s&lt;/h2&gt;&#13;
&lt;strong&gt;1990&lt;/strong&gt; &lt;br /&gt;Heru mazā (ヘル・マザー)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;1991&lt;/strong&gt; &lt;br /&gt;Kanaeraretanegai (かなえられた願い) | Published in English as "Fulfilled Wishes" &lt;br /&gt;Fushigi no Tatari-chan (不思議のたたりちゃん) (1991 - 1998)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;1993&lt;/strong&gt; &lt;br /&gt;Puresento (プレゼント) (1993 - 1998) | Published in English as "Presents"&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;1995&lt;/strong&gt; &lt;br /&gt;Kuchisake onna densetsu (口裂け女伝説) &lt;br /&gt;Bukita-kun (不気田くん) &lt;br /&gt;&lt;br /&gt;&lt;strong&gt;1996&lt;/strong&gt; &lt;br /&gt;Sukuuru Zoon (スクールゾーン) | Published in English as "School Zone" (1996 - 1997) &lt;br /&gt;Kaidan (怪談) &lt;br /&gt;Warau Nikumen (笑う肉面)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;1997&lt;/strong&gt;&lt;br /&gt;Inuki Kanako no Daikyōfu! (犬木加奈子の大恐怖!) | Published in English as "Be Very Afraid of Kanako Inuki!"</text>
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                <text>Inuki, Kanako </text>
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                <text>犬木 加奈子</text>
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                <text>1958/2026</text>
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              <text>Unknown</text>
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              <text>Shiga Prefecture, Japan </text>
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              <text>&lt;p&gt;Yoshiki Tonogai (外海良基) is a Japanese manga artist from Shiga Prefecture, born on March 14 (year undisclosed). Before making his manga debut he worked as an assistant to &lt;em&gt;Soul Eater&lt;/em&gt; creator Atsushi Ohkubo. He is best known for a trilogy of psychological survival-horror manga - &lt;em&gt;Doubt&lt;/em&gt;, &lt;em&gt;Judge&lt;/em&gt;, and &lt;em&gt;Secret&lt;/em&gt; - all serialized in Square Enix's &lt;em&gt;Monthly Shōnen Gangan&lt;/em&gt; and connected by the recurrence of an iconic rabbit mask. He is also notable for his illustrating the &lt;em&gt;Time Killing Arc&lt;/em&gt; of &lt;em&gt;Higurashi When They Cry&lt;/em&gt;.&lt;/p&gt;&#13;
&lt;p&gt;Each of his three connected horror series follows a group of characters trapped in a confined space and forced to identify a killer among themselves, with a strong emphasis on paranoia, moral culpability, and final-act reversals. &lt;em&gt;Doubt&lt;/em&gt; ran from 2007 to 2009, &lt;em&gt;Judge&lt;/em&gt; from 2010 to 2012, and &lt;em&gt;Secret&lt;/em&gt; from 2013 to 2015. All three were published in English by Yen Press. A live-action film adaptation of &lt;em&gt;Judge&lt;/em&gt; was released in Japan in 2013.&lt;/p&gt;</text>
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              <text>&lt;h2&gt;&lt;br /&gt;2000s&lt;/h2&gt;&#13;
&lt;strong&gt;2006&lt;/strong&gt; &lt;br /&gt;&lt;span style="font-weight: normal;"&gt;&lt;span title="Hepburn transliteration"&gt;Higurashi no Naku Koro: Himatsubushi-hen&lt;/span&gt;&lt;/span&gt; (ひぐらしのなく頃に 暇潰し編) | Published in English as "Higurashi When They Cry: Time Killing Arc"&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;2007&lt;/strong&gt;&amp;nbsp;&lt;br /&gt;Dauto (ダウト) | Published in English as &lt;a href="https://lis5472.cci.fsu.edu/sp26/group6/items/show/29" target="_blank" rel="noopener"&gt;"Rabbit Doubt"&lt;/a&gt; (2007 - 2009)&lt;br /&gt;&#13;
&lt;h2&gt;2010s&lt;/h2&gt;&#13;
&lt;strong&gt;2010&lt;/strong&gt; &lt;br /&gt;&lt;span lang="ja"&gt;Jaiji (ジャッジ)&lt;/span&gt; | Published in English as "Judge"&lt;span lang="ja"&gt; &lt;/span&gt;(2010 - 2012)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;2013&lt;/strong&gt; &lt;br /&gt;&lt;span jsname="toZopb"&gt;Shīkuretto &lt;/span&gt;(シークレット) | Published in English as "Secret" (2013 - 2015)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;2015&lt;/strong&gt; &lt;br /&gt;Ikitemasu ka? Honda-kun (生きてますか？ 本田くん) (2015 - 2018) &lt;br /&gt;&lt;br /&gt;&lt;strong&gt;2019&lt;/strong&gt; &lt;br /&gt;Deddo Kanpanī (デッドカンパニー) | Published in English as "Dead Company" (2019 - 2020)</text>
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                <text>外海 良基</text>
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                  <text>Mangaka</text>
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              <text>Ishioka City , Ibaraki Prefecture </text>
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              <text>&lt;p&gt;Inio Asano (浅野いにお) is a Japanese manga artist born in Ibaraki Prefecture in 1980. He won the inaugural Sunday GX Rookie Prize in 2001 and debuted professionally in &lt;em&gt;Big Comic Spirits&lt;/em&gt;, quickly establishing a reputation for character-driven stories that blend slice-of-life realism with psychological unease. His art style is notable for its photorealistic backgrounds, achieved partly through layering digital photography with hand-drawn characters.&lt;/p&gt;&#13;
&lt;p&gt;His best-known works include the existential &lt;em&gt;Goodnight Punpun&lt;/em&gt;, which follows a boy from childhood through a deeply troubled adulthood, and the science-fiction series &lt;em&gt;Dead Dead Demon's Dededede Destruction&lt;/em&gt;, which was adapted into a pair of theatrical anime films in 2024. The Yomiuri Shimbun called Asano one of the voices of his generation in 2010.&lt;/p&gt;</text>
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              <text>&lt;h2&gt;2000s&lt;/h2&gt;&#13;
&lt;p&gt;&lt;strong&gt;2000&lt;/strong&gt; &lt;br /&gt;Futsū no Hi (普通の日) &lt;br /&gt;Sotsugyōshiki Jigoku (卒業式地獄)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;2001&lt;/strong&gt; &lt;br /&gt;Uchū kara Konnichi wa (宇宙からコンニチハ) &lt;br /&gt;&lt;br /&gt;&lt;strong&gt;2002&lt;/strong&gt; &lt;br /&gt;Subarashii Sekai (素晴らしい世界) | Published in English as "What a Wonderful World!" (2002 - 2004) &lt;br /&gt;&lt;br /&gt;&lt;strong&gt;2003&lt;/strong&gt; &lt;br /&gt;Nijigahara Horogurafu (虹ヶ原ホログラフ) | Published in English as &lt;a href="https://lis5472.cci.fsu.edu/sp26/group6/items/show/27" target="_blank" rel="noopener"&gt;"Nijigahara Holograph"&lt;/a&gt; (2003 - 2005) &lt;br /&gt;&lt;br /&gt;&lt;strong&gt;2004&lt;br /&gt;&lt;/strong&gt;Hikari no Machi (ひかりのま) (2004 - 2005) &lt;br /&gt;&lt;br /&gt;&lt;strong&gt;2005&lt;/strong&gt; &lt;br /&gt;Sekai no Owari to Yoake Mae (世界の終わりと夜明け前) (2005 - 2008) &lt;br /&gt;Soranin (ソラニン) | Published in English as "Solanin" (2005 - 2006) &lt;br /&gt;&lt;br /&gt;&lt;strong&gt;2007&lt;/strong&gt; &lt;br /&gt;Oyasumi Punpun (おやすみプンプン) | Published in English as "Goodnight Punpun" (2007 - 2013) &lt;br /&gt;&lt;br /&gt;&lt;strong&gt;2008&lt;/strong&gt; &lt;br /&gt;Ozanari-kun (おざなり君) (2008 - 2011) &lt;br /&gt;&lt;br /&gt;&lt;strong&gt;2009&lt;/strong&gt; &lt;br /&gt;Umibe no Onna no Ko (うみべの女の子) | Published in English as "A Girl on the Shore" (2009 - 2013)&lt;/p&gt;&#13;
&lt;p&gt;&lt;/p&gt;&#13;
&lt;h2&gt;2010s&lt;/h2&gt;&#13;
&lt;p&gt;&lt;strong&gt;2010&lt;/strong&gt; &lt;br /&gt;Kontorōru Purasu Tī Asano Inio Wākusu (Ctrl+T 浅野いにおWORKS)&lt;br /&gt;Planet&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;2012&lt;/strong&gt; &lt;br /&gt;Toshi no Se (としのせ) &lt;br /&gt;&lt;br /&gt;&lt;strong&gt;2013&lt;/strong&gt; &lt;br /&gt;Kinoko Takenoko (きのこたけのこ)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;2014 &lt;br /&gt;&lt;/strong&gt;Deddo Deddo Dēmonzu Dededededesutorakushon (デッドデッドデーモンズデデデデデストラクション) | Published in English as "Dead Dead Demon's Dededede Destruction" (2014 - 2022) &lt;br /&gt;&lt;br /&gt;&lt;strong&gt;2015&lt;/strong&gt; &lt;br /&gt;Bakemono Recchan/Kinoko Takenoko: Asano Inio Tanpenshuu (浅野いにお短編集　ばけものれっちゃん／きのこたけのこ)&amp;nbsp;&lt;br /&gt;Yūsha Tachi (勇者たち) (2015 - 2018)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;2016&lt;/strong&gt; &lt;br /&gt;Funwari Otoko (ふんわり男) &lt;br /&gt;Sayonara Bye-Bye (さよならばいばい) &lt;br /&gt;&lt;br /&gt;&lt;strong&gt;2017&lt;/strong&gt; &lt;br /&gt;Reiraku (零落) | Published in English as "Downfall" &lt;br /&gt;&lt;br /&gt;&lt;strong&gt;2018&lt;/strong&gt; &lt;br /&gt;Sābisueria (サービスエリア) &lt;br /&gt;TEMPEST&lt;/p&gt;&#13;
&lt;h2&gt;2020s&lt;/h2&gt;&#13;
&lt;p&gt;&lt;strong&gt;2020&lt;br /&gt;&lt;/strong&gt;Moshi mo Tōkyō (もしも東京)&lt;/p&gt;&#13;
&lt;strong&gt;2023&lt;/strong&gt;&lt;br /&gt;MUJINA INTO THE DEEP (ビッグコミックス) | Published in English as "Mujina into the Deep" (2023 - 2026)</text>
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                <text>浅野 いにお</text>
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                  <text>Mangaka</text>
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              <text>&lt;p&gt;Shintaro Kago (駕籠真太郎) is a Japanese manga artist born in Tokyo in 1969. He debuted in 1988 in the magazine &lt;em&gt;Comic Box&lt;/em&gt; and has since worked primarily in adult manga magazines. Raised in an artistic household — his father was an oil painter — Kago did not attend art school, developing his distinctive style independently. His manga style has been called "fashionable paranoia," although he has stated the term stems from Western media and he doesn't use it himself.&lt;/p&gt;&#13;
&lt;p&gt;Kago works in the &lt;em&gt;ero-guro&lt;/em&gt; tradition, fusing grotesque body horror with satirical dark comedy and radical experiments in page layout and narrative structure. His work frequently breaks the fourth wall and treats the comics page itself as subject matter. He gained international visibility when Flying Lotus commissioned him to illustrate the 2014 album &lt;em&gt;You're Dead!&lt;/em&gt;&lt;/p&gt;&#13;
&lt;p&gt;Many of his manga have strongly satirical overtones often parodying Japanese and Russian politics. Separately, he deals extensively with grotesque subjects such as extreme sex, rape, scatology and body modification (to the extent of forniphilia). He has also written non-guro sci-fi manga, most notably Super-Conductive Brains Parataxis for Weekly Young Jump.&lt;/p&gt;</text>
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              <text>1969</text>
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              <text>Tokyo, Japan </text>
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            <elementText elementTextId="755">
              <text>Mangaka</text>
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              <text>&lt;p&gt;&lt;em&gt;A relatively small number of works by Shintaro Kago have been published in English, and information about him in English is limited. Therefore, this list is likely incomplete.&lt;/em&gt;&lt;/p&gt;&#13;
&lt;h2&gt;&lt;br /&gt;1980s&lt;/h2&gt;&#13;
&lt;p data-key="Eti00"&gt;&lt;strong&gt;1989&lt;br /&gt;&lt;/strong&gt;Ningen Ijou (人間以上) (1989 - 1990)&lt;/p&gt;&#13;
&lt;h2 data-key="D5SHV"&gt;1990s&lt;/h2&gt;&#13;
&lt;p data-key="qhXTa"&gt;&lt;strong&gt;1992&lt;br /&gt;&lt;/strong&gt;Senkonsouki Naion (潜魂想記NIRVANA〈ナイオン)&lt;/p&gt;&#13;
&lt;p data-key="9ZOz5"&gt;&lt;strong&gt;1994&lt;br /&gt;&lt;/strong&gt;Hannya Haramita (ハンニャハラミタ) (1994 - 2005)&lt;/p&gt;&#13;
&lt;p data-key="eHMHJ"&gt;&lt;strong&gt;1995&lt;br /&gt;&lt;/strong&gt;Banji Kaichou (万事快調) (1995 - 1997)&lt;br /&gt;Dekoboko Nymphomania (凸凹ニンフォマニア)&lt;/p&gt;&#13;
&lt;p data-key="nnxod"&gt;&lt;strong&gt;1997&lt;br /&gt;&lt;/strong&gt;Kagayake! Daitoua Kyoueiken (輝け！大東亜共栄圏) (1997 - 1999)&lt;br /&gt;Kigeki Ekimae Gyakusatsu (喜劇 駅前虐殺) (1997 - 1999)&lt;/p&gt;&#13;
&lt;p data-key="VKi65"&gt;&lt;strong&gt;1998&lt;br /&gt;&lt;/strong&gt;Ekimae Hanayome (駅前花嫁) (1998 - 2000)&lt;/p&gt;&#13;
&lt;p data-key="hlO0t"&gt;&lt;strong&gt;1999&lt;br /&gt;&lt;/strong&gt;Paranoiasutorīto (パラノイアストリート) | Published in English as "Paranoia Street" (1999 - 2002)&lt;/p&gt;&#13;
&lt;h2 data-key="mrO34"&gt;2000s&lt;/h2&gt;&#13;
&lt;p data-key="U95rR"&gt;&lt;strong&gt;2000&lt;br /&gt;&lt;/strong&gt;Rokushiki Tensou Ataraxia (六識転想アタラクシア) (2000 - 2001)&lt;br /&gt;Chō-den nō paratakushisu (超伝脳パラタクシス)&lt;/p&gt;&#13;
&lt;p data-key="3jc2e"&gt;&lt;strong&gt;2002&lt;br /&gt;&lt;/strong&gt;Taisougi (大葬儀)&lt;br /&gt;Nouka Suitai no Kikairon-teki Sekaikan ni Kansuru Ikkousatsu (脳下垂体の機械論的世界観に関する一考察)&lt;/p&gt;&#13;
&lt;p data-key="yhzJy"&gt;&lt;strong&gt;2003&lt;br /&gt;&lt;/strong&gt;Kenkou no Sekkei (健康の設計)&lt;br /&gt;Outotsu ninfomania (凸凹ニンフォマニア)&lt;br /&gt;Odoru! Kremlin Kyuuden (踊る!クレムリン御殿)&lt;br /&gt;Jigoku no Kisetsu: Gurolism Sengen (地獄の季節 ―グロリズム宣言―)&lt;/p&gt;&#13;
&lt;p data-key="yu06k"&gt;&lt;strong&gt;2004&lt;br /&gt;&lt;/strong&gt;Kijin Gahou (奇人画報)&lt;br /&gt;Korokoro Soushi: Ooedo Kisou Tengai (殺殺草紙 大江戸奇想天外)&lt;br /&gt;Yume no Omocha Koujou (夢のおもちゃ工場) (2004 - 2006)&lt;br /&gt;Kasutoro Shiki (かすとろ式)&lt;/p&gt;&#13;
&lt;p data-key="Xwvmv"&gt;&lt;strong&gt;2006&lt;br /&gt;&lt;/strong&gt;Korokoro Soushi: Ooedo Muzan Juusanku (殺殺草紙 大江戸無残十三苦)&lt;/p&gt;&#13;
&lt;p data-key="tIc7z"&gt;&lt;strong&gt;2007&lt;br /&gt;&lt;/strong&gt;Tadashii Hentai Seiyoku (正しい変態性欲)&lt;/p&gt;&#13;
&lt;p data-key="Lwv2L"&gt;&lt;strong&gt;2008&lt;br /&gt;&lt;/strong&gt;Ana, Moji, Ketsueki Nado ga Arawareru Manga (穴、文字、血液などが現れる漫画)&lt;br /&gt;Anamorphosis no Meijuu (アナモルフォシスの冥獣) (2008 - 2010)&lt;/p&gt;&#13;
&lt;p data-key="HtFfj"&gt;&lt;strong&gt;2009&lt;br /&gt;&lt;/strong&gt;Burakkushiatā o bāchan ga shitai kusai yo (ブラックシアターおばあちゃんが死体くさいよ)&lt;br /&gt;Furakushon (フラクション)&lt;br /&gt;Jisastsu yuugi (自殺遊戯)&lt;br /&gt;Ari jigoku vs Barabara shoujo (アリ地獄vsバラバラ少女)&lt;/p&gt;&#13;
&lt;p data-key="Hcf5U"&gt;&lt;strong&gt;2011&lt;br /&gt;&lt;/strong&gt;Dimensha 21 (ディメンシャ 21) | Published in English as &lt;a href="https://lis5472.cci.fsu.edu/sp26/group6/items/show/28" target="_blank" rel="noopener"&gt;"Dementia 21"&lt;/a&gt; (2011 - 2013)&lt;/p&gt;&#13;
&lt;p data-key="iYKef"&gt;&lt;strong&gt;2012&lt;br /&gt;&lt;/strong&gt;Hāremuendo (ハーレムエンド)&lt;br /&gt;Kago Shintarou kounou tanpenshuu: Ibutsu konnyuu (駕籠真太郎高濃短編集 異物混入) (2012 - 2015)&lt;/p&gt;&#13;
&lt;p data-key="2WJCd"&gt;&lt;strong&gt;2013&lt;br /&gt;&lt;/strong&gt;Choudouryoku Mouko Daishuurai (超動力蒙古大襲来) (2013 - 2014)&lt;/p&gt;&#13;
&lt;p data-key="49zTg"&gt;&lt;strong&gt;2015&lt;br /&gt;&lt;/strong&gt;Shinsetsu★Sekaishi Taizen (真説★世界史大全) (2015 - 2017)&lt;br /&gt;Koi no choujikuuhou (恋の超時空砲)&lt;br /&gt;Toshi to Infrastructure: Kago Shintarou Sakuhinshuu (駕籠真太郎作品集 都市とインフラストラクチャー) (2015 - 2021)&lt;/p&gt;&#13;
&lt;p data-key="bmMwL"&gt;&lt;strong&gt;2016&lt;br /&gt;&lt;/strong&gt;Bureindamēji (ブレインダメージ) (2016 - 2017)&lt;/p&gt;&#13;
&lt;p data-key="NQ19D"&gt;&lt;strong&gt;2022&lt;br /&gt;&lt;/strong&gt;Ranpo Amnesia: 21-banme no Jinkaku (乱歩アムネシア 二十一番目の人格) (2022 - 2025)&lt;/p&gt;&#13;
&lt;p data-key="gUnV1"&gt;&lt;strong&gt;2026&lt;br /&gt;&lt;/strong&gt;Ooedo Ukiyoe Kisou Tengai (大江戸浮世絵奇想天外)&lt;/p&gt;</text>
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                <text>Kago, Shintaro</text>
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              <elementText elementTextId="951">
                <text>駕籠 真太郎</text>
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  <item itemId="42" public="1" featured="0">
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            <element elementId="50">
              <name>Title</name>
              <description>A name given to the resource</description>
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                  <text>Mangaka</text>
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      <name>Person</name>
      <description>An individual.</description>
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        <element elementId="31">
          <name>Birth Date</name>
          <description/>
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            <elementText elementTextId="745">
              <text>1968</text>
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        <element elementId="32">
          <name>Birthplace</name>
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            <elementText elementTextId="746">
              <text>Tokorozawa, Saitama Prefecture, Japan</text>
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          <name>Occupation</name>
          <description/>
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            <elementText elementTextId="747">
              <text>Mangaka </text>
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              <text>&lt;p&gt;Hideo Yamamoto (山本英夫) is a Japanese manga artist born in Saitama in 1968. He won the Tetsuya Chiba Award for promising new creators in 1988 and made his professional debut in 1989 in &lt;em&gt;Weekly Young Sunday&lt;/em&gt; after working as an assistant to industry veteran Kenshi Hirokane. Recurring themes throughout his work include crime, psychology, sexual deviance, and the instability of identity.&lt;/p&gt;&#13;
&lt;p&gt;He is best known internationally for two series: &lt;em&gt;Ichi the Killer&lt;/em&gt;, a brutal yakuza thriller that was adapted into a cult film by Takashi Miike in 2001, and &lt;a href="https://lis5472.cci.fsu.edu/sp26/group6/items/show/26" target="_blank" rel="noopener"&gt;"Homunculus"&lt;/a&gt;, a cerebral psychological horror series in which trepanation unlocks the ability to perceive other people's repressed traumas as monstrous physical forms. Before writing &lt;em&gt;Homunculus&lt;/em&gt;, Yamamoto lived as a homeless person to prepare for the series' themes.&lt;/p&gt;</text>
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              <text>&lt;h2 data-key="tM8rX" data-pm-slice="1 1 []"&gt;1980s&lt;/h2&gt;&#13;
&lt;p data-key="tM8rX" data-pm-slice="1 1 []"&gt;&lt;strong&gt;1989&lt;/strong&gt;&lt;br /&gt;Seizon YūgeSHEEP (生存遊戲SHEEP) with Masahiko Takajo&lt;br /&gt;Okama Hakusho (おカマ白書) (1989 - 1991)&lt;/p&gt;&#13;
&lt;h2 data-key="bYAaN"&gt;1990s&lt;/h2&gt;&#13;
&lt;p data-key="mPKtY"&gt;&lt;strong&gt;1992&lt;/strong&gt;&lt;br /&gt;Nozokiya (のぞき屋) | Published in English as "Voyeur" (1992)&lt;/p&gt;&#13;
&lt;p data-key="Z4qiH"&gt;&lt;strong&gt;1993&lt;/strong&gt;&lt;br /&gt;Shin Nozokiya (新・のぞき屋) | Published in English as "Voyeurs, Inc." (1993 - 1997)&lt;/p&gt;&#13;
&lt;p data-key="4JxiJ"&gt;&lt;strong&gt;1998&lt;/strong&gt;&lt;br /&gt;&lt;span&gt;Koroshiya Ichi (殺し屋1) | &lt;/span&gt;Published in English as "Ichi the Killer" (1998 - 2001)&lt;br /&gt;Enjokousai bokumetsu undou (援助交際撲滅運動) with Tetsuya Koshiba&lt;/p&gt;&#13;
&lt;h2 data-key="4JxiJ"&gt;2000s&lt;/h2&gt;&#13;
&lt;p data-key="cqjqC"&gt;&lt;strong&gt;2003&lt;/strong&gt;&lt;br /&gt;&lt;span&gt;Homunkurusu (ホムンクルス) | Published in English as &lt;a href="https://lis5472.cci.fsu.edu/sp26/group6/items/show/26" target="_blank" rel="noopener"&gt;"Homunculus"&lt;/a&gt; (2003 - 2011)&lt;br /&gt;&lt;/span&gt;&lt;span&gt;&lt;/span&gt;&lt;/p&gt;&#13;
&lt;h2 data-key="cqjqC"&gt;&lt;span&gt;2010s&lt;/span&gt;&lt;/h2&gt;&#13;
&lt;p data-key="Ipkmm"&gt;&lt;strong&gt;2013&lt;/strong&gt;&lt;br /&gt;Yume on'na (夢女) with Hiroya Oku&lt;/p&gt;&#13;
&lt;p data-key="EhdmD"&gt;&lt;strong&gt;2014&lt;br /&gt;&lt;/strong&gt;Hikarijin (光人) | Published in English as "Hikari-Man" (2014 - 2020)&lt;br /&gt;&lt;span&gt;Sayonara Karada (さよなら身体&lt;/span&gt;)&lt;/p&gt;&#13;
&lt;p data-key="njSU0"&gt;&lt;strong&gt;2015&lt;/strong&gt;&lt;br /&gt;Adamu to Ibu (&lt;span&gt;アダムとイブ) (2015 - 2016) with Ryoichi Ikegami&lt;/span&gt;&lt;/p&gt;</text>
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                <text>Yamamoto, Hideo</text>
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              <elementText elementTextId="952">
                <text>山本英夫</text>
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                  <text>Mangaka</text>
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          <name>Birth Date</name>
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            <elementText elementTextId="697">
              <text>1958 </text>
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            <elementText elementTextId="698">
              <text> Nishitōkyō, Tokyo</text>
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              <text>Mangaka</text>
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              <text>&lt;p&gt;Eiji Ōtsuka (大塚英志) is a Japanese social critic, folklorist, media theorist, and novelist born in Tokyo in 1958. He is currently a professor at International Research Center for Japanese Studies, Kyoto and an author of nonfiction books on Japanese popular cultures. Ōtsuka graduated from the University of Tsukuba with a degree in anthropology and folklore, and his doctorate in artistic engineering from Kobe Design University. He later became editor-in-chief of &lt;em&gt;Manga Burikko&lt;/em&gt;, a leading magazine where he pioneered academic research on otaku subculture in the 1980s. He is a professor at the International Research Center for Japanese Studies in Kyoto.&lt;/p&gt;&#13;
&lt;p&gt;In the late 1980s, Ōtsuka was involved in a murder trial that criminalized the public's perception of manga. As the murderer had a large collection of manga, public media depicted manga readers broadly as psychologically disturbed perverts. Since then, Ōtsuka has defended manga and developed a theory of media consumption: consumers collect small narrative to construct a grand narrative. His book, &lt;em&gt;A Theory of Narrative Consumption&lt;/em&gt;, explains this theory further.&lt;/p&gt;&#13;
&lt;p&gt;As a manga writer (working with artists rather than illustrating himself), Ōtsuka is best known for two long-running horror series: &lt;em&gt;MPD Psycho&lt;/em&gt;, a psychological thriller about a detective with multiple personalities investigating serial murders, and &lt;a href="https://lis5472.cci.fsu.edu/sp26/group6/items/show/6" target="_blank" rel="noopener"&gt;"The Kurosagi Corpse Delivery Service"&lt;/a&gt;, a darkly comic series about college students who help restless spirits of the dead.&lt;/p&gt;</text>
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          <description/>
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            <elementText elementTextId="701">
              <text>&lt;h2&gt;1980s&lt;/h2&gt;&#13;
&lt;br /&gt;&lt;strong&gt;1987&lt;/strong&gt;&lt;br /&gt;Mōryō Senki MADARA (魍魎戦記MADARA) | Published in English as "Madara" (1987 – 1994) with Shōu Tajima&lt;br /&gt;&#13;
&lt;h2&gt;1990s&lt;/h2&gt;&#13;
&lt;strong&gt;1994&lt;/strong&gt;&lt;br /&gt;Japan (ジャパン) (1994 – 1995)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;1997&lt;/strong&gt;&lt;br /&gt;Tajū jinkaku tantei saiko (多重人格探偵サイコ) | Published in English as "MPD Psycho" (1997 – 2016) with Mami Itoh&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;1999&lt;/strong&gt;&lt;br /&gt;Kijima nikki (木島日記) (1999 – 2003)&lt;br /&gt;Rivu~aiasan (リヴァイアサン) (1999 – 2005) with Yu Kinutani&lt;br /&gt;&#13;
&lt;h2&gt;2000s&lt;/h2&gt;&#13;
&lt;strong&gt;2000&amp;nbsp;&lt;/strong&gt;&lt;br /&gt;Kurosagi shitai takkyūbin (黒鷺死体宅急便) | Published in English as &lt;a href="https://lis5472.cci.fsu.edu/sp26/group6/items/show/6" target="_blank" rel="noopener"&gt;"The Kurosagi Corpse Delivery Service"&lt;/a&gt; (2000 – present)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;2004&lt;/strong&gt;&lt;br /&gt;Tantei Gishiki (探偵儀式) (2004–2009) with Ryusui Seiryoin and Chizu Hashii</text>
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                <text>Otsuka, Eiji</text>
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              <elementText elementTextId="763">
                <text>大塚 英志</text>
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            <name>Contributor</name>
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              <elementText elementTextId="696">
                <text>Sarah Romero</text>
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                <text>1958/2026</text>
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              <text>&lt;p&gt;Norikazu Kawashima (川島のりかず, 1950–2018) was a Japanese manga artist active during the 1980s. Working primarily for the publisher Hibari Shobō, he produced approximately nineteen horror comics between 1983 and 1988. Very little is known about his life; he was famously reclusive, and a few years after the publication of his final work he burned all of his original artwork and disappeared from Tokyo.&lt;/p&gt;&#13;
Norikazu is best known for his 1986 work &lt;a href="https://lis5472.cci.fsu.edu/sp26/group6/items/show/19" target="_blank" rel="noopener"&gt;"Her Frankenstein"&lt;/a&gt;, which is considered a landmark of classic horror manga and was praised by Junji Ito as "a frightening but moving story." Translator and historian Ryan Holmberg has described Kawashima as one of the last great authors of the pre-magazine era of horror manga, the tradition that directly preceded Ito's debut. A Japanese reprint appeared in 2022, and an English translation followed in 2024.</text>
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              <text>&lt;em&gt;Sources differ regarding the total works completed by Kawashima. However, many sources claim about thirty volumes of manga. &lt;/em&gt;&lt;em&gt;Therefore, this bibliography is likely incomplete.&lt;br /&gt;&lt;br /&gt;Question marks appear when the compiler is uncertain of the year, or the kanji reading for given titles.&lt;/em&gt;&lt;em&gt;&lt;/em&gt;</text>
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              <text>&lt;h2 data-key="YM9ZR" data-pm-slice="1 1 []"&gt;1980s&lt;/h2&gt;&#13;
&lt;p&gt;&lt;strong&gt;1984?&lt;br /&gt;&lt;/strong&gt;Kyōfu no miyako haba e (恐怖の都巾へ)&lt;br /&gt;Hakaba kara modotta shōjo (墓場 から 戻った少女)&lt;br /&gt;Noroi no kao ga watashi no senaka ni! ! (呪いの顔が私の 背中に! !)&lt;/p&gt;&#13;
&lt;p data-key="LWt8C"&gt;&lt;strong&gt;1985?&lt;br /&gt;&lt;/strong&gt;Ōkami shōjo no san Ira (狼少女の三イラ)&lt;/p&gt;&#13;
&lt;p data-key="dNGvg"&gt;&lt;strong&gt;1986?&lt;br /&gt;&lt;/strong&gt;Watashi no kao o kaeshite! ! (私の顔をかえして！！)&lt;br /&gt;&lt;span&gt;Shibito-numa ni yūrei shōjo ga (&lt;/span&gt;死人沼に幽霊少女が)&lt;br /&gt;&lt;span&gt;Shibito o ayatsuru mashōjo (&lt;/span&gt;死人をあやつる魔少女)&lt;/p&gt;&#13;
&lt;p data-key="oOChv"&gt;&lt;strong&gt;1986 &lt;br /&gt;&lt;/strong&gt;Furankenshutain no otoko (&lt;span&gt;フランケンシュタイン の 男)&lt;/span&gt; | Published in English as &lt;a href="https://lis5472.cci.fsu.edu/sp26/group6/items/show/19" target="_blank" rel="noopener"&gt;"Her Frankenstein"&lt;/a&gt;&lt;/p&gt;&#13;
&lt;p data-key="rH3gv"&gt;&lt;strong&gt;1987?&lt;br /&gt;&lt;/strong&gt;Ke mono-gui no shōjo (けもの食いの少女)&lt;br /&gt;Noroi no hari-chi goku (呪いの針地 獄)&lt;/p&gt;&#13;
&lt;p data-key="D58OV"&gt;&lt;strong&gt;1987&lt;br /&gt;&lt;/strong&gt;Shibito wo Ayatsuru Mashoujo (死人をあやつる魔少女) | Published in English as "The Girl Who Raised the Dead"&lt;/p&gt;&#13;
&lt;p data-key="81b88"&gt;&lt;strong&gt;1988?&lt;br /&gt;&lt;/strong&gt;Osoroshī kowa de kao o torata shōjo (恐ろしい怖で顔をとらた少女)&lt;br /&gt;Ka gong mono aka o yan? (化廾もの赤をやん)?&lt;br /&gt;Chi nura wata shokei no shima (血ぬらわた処刑の島)&lt;br /&gt;Noroi wa neta shitai (呪 わねた死体)&lt;br /&gt;Iji nuttsu jie wa shin da tatari ga kyōfu no gakkō ni? (いじぬっ孑は死んだ たたりが恐怖の学校に)?&lt;br /&gt;Jigoku hana (地獄花)&lt;br /&gt;Ura no miao ga kowai kyōfu no kuroi uranaishi (怨みの描がこわい 恐怖の黒い占い師)&lt;br /&gt;&lt;span&gt;Mīra shōjo no urami&lt;/span&gt; (ミイラ少女の怨み)&lt;br /&gt;&lt;span&gt;Watashi o korosanaide yo! Chidara sa no kobumi &lt;/span&gt;(私を殺さないでよ! 血だらサの小文)&lt;br /&gt;&lt;span&gt;Watashi wa namachi ga hoshi i &lt;/span&gt;(私は生血が 欲し い)&lt;br /&gt;Aku ma no hana wa chi no nioi (悪魔の花は血の匂い)&lt;br /&gt;Koroshite mo iki teru on'na (殺して も生きてる女)&lt;/p&gt;</text>
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              <text>&lt;p&gt;AidaIro is a Japanese manga duo consisting of writer Iro (pen name Tokuna Nozomi) and illustrator Aida (pen name Aida Hano). The two met as classmates and began collaborating before their professional debut. Their first published work was &lt;em&gt;The Beloved Living Dead&lt;/em&gt;, followed by the initial three-chapter run of &lt;a href="https://lis5472.cci.fsu.edu/sp26/group6/items/show/4" target="_blank" rel="noopener"&gt;&lt;i&gt;Toilet-Bound Hanako-kun&lt;/i&gt;&lt;/a&gt; in &lt;em&gt;Monthly GFantasy&lt;/em&gt; in 2014. The response was strong enough to prompt a full serialization beginning the same year.&lt;/p&gt;&#13;
&lt;p&gt;&lt;em&gt;Toilet-Bound Hanako-kun&lt;/em&gt; draws on Japanese school ghost stories, centering on a spirit who haunts a school bathroom and the girl bound to his service. The series blends supernatural horror, dark folklore, and wry comedy, and has been adapted into anime and spin-off manga.&lt;/p&gt;&#13;
As well as their manga, they have also worked on a visual novel of the name&amp;nbsp;&lt;em&gt;Narisokonai Snow White&lt;/em&gt;, which was released in 2011.</text>
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              <text>&lt;a href="https://x.com/aidairo2009" target="_blank" rel="noopener"&gt;Official X | Twitter account&lt;/a&gt;</text>
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              <text>&lt;p&gt;&lt;strong&gt;2010?&lt;/strong&gt;&lt;br /&gt;Kitsunemen no Mamorigami (&lt;span style="font-weight: normal;"&gt;&lt;span class="t_nihongo_kanji" lang="ja"&gt;狐面の守り神&lt;/span&gt;&lt;/span&gt;)&lt;/p&gt;&#13;
&lt;p&gt;&lt;strong&gt;2012&lt;/strong&gt;&lt;br /&gt;Furyō to megane to koi to sensō (不良とメガネと恋と戦争)&lt;br /&gt;Kane to otome to koi to junjou (&lt;span style="font-weight: normal;"&gt;&lt;span class="t_nihongo_kanji" lang="ja"&gt;金と乙女と恋と純情&lt;/span&gt;&lt;/span&gt;)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;2013&lt;/strong&gt;&lt;br /&gt;Itoshino ribingu deddo (&lt;span style="font-weight: normal;"&gt;&lt;span class="t_nihongo_kanji" lang="ja"&gt;愛しのリビングデッド&lt;/span&gt;&lt;/span&gt;) | Published in English as &lt;a href="https://lis5472.cci.fsu.edu/sp26/group6/items/show/4" target="_blank" rel="noopener"&gt;"My Dear Living Dead"&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;2014&lt;/strong&gt;&lt;br /&gt;Jibaku-shōnen Hanako-kun (地縛少年花子くん) | Published in English as &lt;a href="https://lis5472.cci.fsu.edu/sp26/group6/items/show/4" target="_blank" rel="noopener"&gt;"Toilet-Bound Hanako-kun"&lt;/a&gt;&amp;nbsp;(2014 - present)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;2018&lt;/strong&gt;&lt;br /&gt;Hōkago shōnen Hanako-kun (&lt;span style="font-weight: normal;"&gt;&lt;span class="t_nihongo_kanji" lang="ja"&gt;放課後少年花子くん&lt;/span&gt;&lt;/span&gt;) | Published in English as "After-School Hanako-kun" (2018 - present)&lt;strong&gt;&lt;/strong&gt;&lt;/p&gt;</text>
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              <name>Title</name>
              <description>A name given to the resource</description>
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                  <text>Manga Titles</text>
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      <description>A manga series</description>
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                <text>Blood on the Tracks</text>
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                <text>Seiichi's mother loves him very much, and his days pass with placid regularity. School, friends, and even the attention of his attractive classmate Fukiishi. Until one terrible summer day, that all changes.</text>
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                <text>Oshimi, Shuzo</text>
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                <text>&lt;img src="https://myanimelist.net/images/manga/1/200350.jpg" alt="Manga Cover" style="max-width: 100%; height: auto; margin-top: 0px; margin-bottom: 0px;" /&gt;</text>
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                <text>&lt;details&gt;&#13;
&lt;summary style="display: inline-block; cursor: zoom-in;"&gt;&lt;img src="https://threadripper.tail4e4fb.ts.net/api/reader/image?chapterId=2010&amp;amp;apiKey=2tEHchoxnp1wIPex4l8nHZ0Y8IIybmo9&amp;amp;page=2" alt="Preview Manga Page" style="max-width: 300px;" /&gt;&lt;/summary&gt;&#13;
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                <text>&lt;details&gt;&#13;
&lt;summary style="display: inline-block; cursor: zoom-in;"&gt;&lt;img src="https://threadripper.tail4e4fb.ts.net/api/reader/image?chapterId=2014&amp;amp;apiKey=2tEHchoxnp1wIPex4l8nHZ0Y8IIybmo9&amp;amp;page=4" alt="Preview Manga Page" style="max-width: 300px;" /&gt;&lt;/summary&gt;&#13;
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                <text>&lt;details&gt;&#13;
&lt;summary style="display: inline-block; cursor: zoom-in;"&gt;&lt;img src="https://threadripper.tail4e4fb.ts.net/api/reader/image?chapterId=2020&amp;amp;apiKey=2tEHchoxnp1wIPex4l8nHZ0Y8IIybmo9&amp;amp;page=10" alt="Preview Manga Page" style="max-width: 300px;" /&gt;&lt;/summary&gt;&#13;
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                <text>Andrew Bryan</text>
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                <text>血の轍</text>
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                <text>&lt;a href="https://lis5472.cci.fsu.edu/sp26/group6/items/show/21" target="_blank" rel="noopener"&gt;Umezu, Kazuo&lt;/a&gt;</text>
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            <name>Subject</name>
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                <text>Action</text>
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            <description>An account of the resource</description>
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                <text>In an enormous steel labyrinth riddled with horrifying creatures, humanity is forced to isolate itself in small enclaves while living in constant fear of its annihilation. In this dystopia, only a strange young man known as Killy is brave enough to traverse its unforgiving territories.</text>
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                <text>Nihei, Tsutomu</text>
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            <name>Date</name>
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            <name>Audience</name>
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                <text>Seinen</text>
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            <name>Extent</name>
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          <element elementId="45">
            <name>Publisher</name>
            <description>An entity responsible for making the resource available</description>
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              <elementText elementTextId="880">
                <text>Kodansha</text>
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                <text>Tokyopop (former)&#13;
</text>
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              <elementText elementTextId="931">
                <text>Vertical (current)</text>
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              <elementText elementTextId="932">
                <text>4/6/2026</text>
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                  <text>Mangaka</text>
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              <text>1970</text>
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          <name>Birthplace</name>
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          <elementTextContainer>
            <elementText elementTextId="456">
              <text>Chiba Prefecture, Japan</text>
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          <name>Bibliography</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="457">
              <text>&lt;h2&gt;1990s&lt;/h2&gt;&#13;
&lt;p&gt;&lt;strong&gt;1993-2012&lt;/strong&gt;&lt;br /&gt;Mugen no Jūnin (無限の住人) | Published in English as "&lt;a href="https://lis5472.cci.fsu.edu/sp26/group6/items/show/11" target="_blank" rel="noopener"&gt;Blade of the Immortal&lt;/a&gt;"&lt;/p&gt;&#13;
&lt;h2&gt;2000s&lt;/h2&gt;&#13;
&lt;p&gt;&lt;strong&gt;2000&lt;/strong&gt;&lt;br /&gt;Ohikkoshi (おひっこし) | Published in English as "Ohikkoshi"&lt;/p&gt;&#13;
&lt;p&gt;&lt;strong&gt;2003&lt;/strong&gt;&lt;br /&gt;&lt;span style="font-weight: normal;"&gt;&lt;span title="Hepburn transliteration"&gt;Seishun Jan-Jaka-Jaka-Jaka&lt;/span&gt;&lt;/span&gt; (青春じゃんじゃかじゃかじゃか) | Published in English as "Youth Chang-Chaka-Chang"&lt;/p&gt;&#13;
&lt;p&gt;&lt;strong&gt;2004&lt;/strong&gt;&lt;br /&gt;Emerarudo (エメラルド) | Published in English as "Emerald"&amp;nbsp;&lt;/p&gt;&#13;
&lt;p&gt;&lt;strong&gt;2005&lt;/strong&gt;&lt;br /&gt;&lt;span style="font-weight: normal;"&gt;&lt;span title="Hepburn transliteration"&gt;Seifuku wa Nugenai &lt;/span&gt;&lt;/span&gt;(制服は脱げない) | Published in English as "The Uniforms Stay On" (2005 - 2006)&lt;br /&gt;&lt;span style="font-weight: normal;"&gt;&lt;span title="Hepburn transliteration"&gt;Buraddohārē no Basha&lt;/span&gt;&lt;/span&gt; (ブラッドハーレーの馬車) (2005 - 2007)&lt;/p&gt;&#13;
&lt;p&gt;&lt;strong&gt;2006&lt;/strong&gt;&lt;br /&gt;Burigitto no Bansan&amp;nbsp; (ブリギットの晩餐) | Published in English as "Brigitte's Dinner"&lt;br /&gt;&lt;span style="font-weight: normal;"&gt;&lt;span title="Hepburn transliteration"&gt;Kasō Senryaku: Kagami-uchi&lt;/span&gt;&lt;/span&gt; (下層戦略 鏡打ち) | Published in English as "Low-grade Strategy: The Mirror Play"&lt;strong&gt;&lt;/strong&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;strong&gt;2008&lt;/strong&gt;&lt;br /&gt;Shizuru Kinema (シズルキネマ) | Published in English as "Shizuru Cinema"&lt;br /&gt;Harushion Ranchi (ハルシオン・ランチ) (2008-2011)&lt;/p&gt;&#13;
&lt;p&gt;&lt;strong&gt;2009&lt;/strong&gt;&lt;br /&gt;&lt;span style="font-weight: normal;"&gt;&lt;span title="Hepburn transliteration"&gt;Kusein-ke Saidai no Shō&lt;/span&gt;&lt;/span&gt; (久誓院家最大のショウ) | Published in English as "The Kusein Family's Grandest Show"&lt;/p&gt;&#13;
&lt;h2&gt;2010s&lt;/h2&gt;&#13;
&lt;p&gt;&lt;strong&gt;2010&lt;/strong&gt;&lt;br /&gt;&lt;span style="font-weight: normal;"&gt;&lt;span title="Hepburn transliteration"&gt;Gensō Ginekokurashī&lt;/span&gt;&lt;/span&gt; (幻想ギネコクラシー) | Published in English as "Fantastic Gynaecocracy" (2010 - 2017)&lt;/p&gt;&#13;
&lt;p&gt;&lt;strong&gt;2011&lt;/strong&gt;&lt;br /&gt;Beagerutā (べアゲルター) | Published in English as "Die Wergelder" (2011 - Present)&lt;/p&gt;&#13;
&lt;p&gt;&lt;strong&gt;2013&amp;nbsp;&lt;/strong&gt;&lt;br /&gt;&lt;span style="font-weight: normal;"&gt;&lt;span title="Hepburn transliteration"&gt;Harukaze no Sunegurachika&lt;/span&gt;&lt;/span&gt;&lt;em&gt; &lt;/em&gt;(春風のスネグラチカ) (2013 - 2014) | Published in English as "Snegurochka of the Spring Breeze"&lt;/p&gt;&#13;
&lt;p&gt;&lt;strong&gt;2014&lt;/strong&gt;&lt;br /&gt;&lt;span style="font-weight: normal;"&gt;&lt;span title="Hepburn transliteration"&gt;Nami yo Kiitekure&lt;/span&gt;&lt;/span&gt; (波よ聞いてくれ) | Published in English as "Wave, Listen to Me!" (2014 - present)&lt;/p&gt;</text>
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              <text>&lt;p&gt;Hiroaki Samura (沙村広明) is a manga artist born in Chiba Prefecture in 1970. He studied at art school but left before graduating when Kodansha's &lt;em&gt;Monthly Afternoon&lt;/em&gt; recruited him to begin his debut series. His classical fine-arts training - including a background in etching and Renaissance-influenced chiaroscuro - gives his manga an unusually painterly quality, with many panels rendered in pencil shading rather than ink line art.&lt;/p&gt;&#13;
&lt;p&gt;Hiroaki is best known for &lt;a href="https://lis5472.cci.fsu.edu/sp26/group6/items/show/11" target="_blank" rel="noopener"&gt;"Blade of the Immortal"&lt;/a&gt;, which ran from 1993 to 2012 across 30 volumes. Set in Edo-period Japan and following a cursed immortal samurai, it won the Excellence Award at the first Japan Media Arts Festival and received two anime adaptations. He has also published numerous short works, many of them in the ero guro genre. His current ongoing series, published in English as "Wave, Listen to Me!", is a slice-of-life manga about a radio talk-show host.&lt;/p&gt;&#13;
&lt;a href="https://en.wikipedia.org/wiki/Hiroaki_Samura" target="_blank" rel="noopener"&gt;More information on Wikipedia.&lt;/a&gt;</text>
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                <text>沙村 広明</text>
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            <description>A statement of any changes in ownership and custody of the resource since its creation that are significant for its authenticity, integrity, and interpretation. The statement may include a description of any changes successive custodians made to the resource.</description>
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                <text>Dan'o Reid</text>
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            <name>Date Created</name>
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                <text>1970/2026</text>
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              <name>Title</name>
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          <name>Birth Date</name>
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            <elementText elementTextId="448">
              <text>1986</text>
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          </elementTextContainer>
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        <element elementId="32">
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          <description/>
          <elementTextContainer>
            <elementText elementTextId="449">
              <text>Fukuoka Prefecture, Japan</text>
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          </elementTextContainer>
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          <name>Bibliography</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="450">
              <text>&lt;h2&gt;2010s&lt;/h2&gt;&#13;
&lt;p&gt;&lt;strong&gt;2011&lt;/strong&gt;&lt;br /&gt;&lt;span title="Japanese-language romanization"&gt;Tōkyō Gūru&lt;/span&gt; (東京喰種) | Published in English as &lt;a href="https://lis5472.cci.fsu.edu/sp26/group6/items/show/13" target="_blank" rel="noopener"&gt;"Tokyo Ghoul"&lt;/a&gt; (2011 - 2014)&lt;/p&gt;&#13;
&lt;p&gt;&lt;strong&gt;2013&lt;br /&gt;&lt;/strong&gt;&lt;span title="Japanese-language romanization"&gt;Tōkyō Gūru&lt;/span&gt; [JACK] (東京喰種 [JACK]) | Published in English as "Tokyo Ghoul [JACK]"&lt;/p&gt;&#13;
&lt;p&gt;&lt;strong&gt;2014&lt;/strong&gt;&lt;br /&gt;&lt;span title="Japanese-language romanization"&gt;Tōkyō Gūru:re (東京喰種:re) | &lt;/span&gt;Published in English as "Tokyo Ghoul:re"&lt;/p&gt;&#13;
&lt;p&gt;&lt;strong&gt;2016&lt;/strong&gt;&lt;br /&gt;Untitled story for HUNTERxHUNTER&lt;/p&gt;&#13;
&lt;h2&gt;2020s&lt;/h2&gt;&#13;
&lt;p&gt;&lt;strong&gt;2021&lt;/strong&gt;&lt;br /&gt;&lt;span style="font-weight: normal;"&gt;&lt;span title="Hepburn transliteration"&gt;Chōjin Ekkusu&lt;/span&gt;&lt;/span&gt; (超人X) | Published in English as "Choujin X" (2021 - present)&amp;nbsp;&lt;/p&gt;&#13;
&lt;p&gt;&lt;strong&gt;2022&lt;/strong&gt;&lt;br /&gt;PUPPET&lt;/p&gt;&#13;
&lt;p&gt;&lt;strong&gt;2024&lt;/strong&gt;&lt;br /&gt;PARSLEY&lt;/p&gt;&#13;
&lt;p&gt;&lt;strong&gt;2025&lt;/strong&gt;&lt;br /&gt;PECKER&lt;/p&gt;&#13;
&lt;p&gt;&lt;strong&gt;2025&lt;/strong&gt;&lt;br /&gt;DUCKWEED&lt;/p&gt;</text>
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            <elementText elementTextId="566">
              <text>&lt;p&gt;Sui Ishida (石田スイ) is a Japanese manga artist born in Fukuoka Prefecture in 1986. His pen name is kept strictly separate from his real identity, and little is known about his personal life. He won second place in the Weekly Young Jump 113th Grand Prix in 2010 for an early version of &lt;a href="https://lis5472.cci.fsu.edu/sp26/group6/items/show/13" target="_blank" rel="noopener"&gt;"Tokyo Ghoul"&lt;/a&gt;, which led to the series beginning serialization in 2011. Before manga, he worked as a tattoo artist.&lt;/p&gt;&#13;
&lt;p&gt;&lt;em&gt;Tokyo Ghoul&lt;/em&gt; and its sequel &lt;em&gt;Tokyo Ghoul:re&lt;/em&gt; follow a college student who becomes a half-human, half-ghoul hybrid after a violent encounter. The franchise sold over 47 million copies worldwide and was adapted into multiple anime seasons and live-action films. Ishida's current series &lt;em&gt;Choujin X&lt;/em&gt;, launched in 2021 on an irregular digital schedule, blends superhero and body-horror genres.&lt;/p&gt;&#13;
&lt;a href="https://en.wikipedia.org/wiki/Sui_Ishida"&gt;More information on Wikipedia.&lt;/a&gt;</text>
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                <text>石田 スイ</text>
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          <element elementId="90">
            <name>Provenance</name>
            <description>A statement of any changes in ownership and custody of the resource since its creation that are significant for its authenticity, integrity, and interpretation. The statement may include a description of any changes successive custodians made to the resource.</description>
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                <text>Dan'o Reid</text>
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              <text>1960</text>
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              <text>Fuchu, Tokyo, Japan</text>
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              <text>&lt;h2&gt;1970s&lt;/h2&gt;&#13;
&lt;p&gt;&lt;strong&gt;1979&lt;/strong&gt;&lt;br /&gt;Swimmers&lt;/p&gt;&#13;
&lt;h2&gt;1980s&lt;/h2&gt;&#13;
&lt;p&gt;&lt;strong&gt;1981&lt;/strong&gt;&lt;br /&gt;Return&lt;/p&gt;&#13;
&lt;p&gt;&lt;strong&gt;1983&lt;/strong&gt;&lt;br /&gt;Beta!!&lt;/p&gt;&#13;
&lt;p&gt;&lt;strong&gt;1984&lt;br /&gt;&lt;/strong&gt;Odoru Keikan (踊る警官)&lt;/p&gt;&#13;
&lt;p&gt;&lt;strong&gt;1985&lt;/strong&gt;&lt;br /&gt;&lt;span style="font-weight: normal;"&gt;&lt;span title="Japanese-language text"&gt;&lt;span lang="ja"&gt;&lt;span title="Japanese-language romanization"&gt;Painappuru Āmī &lt;/span&gt;(パイナップルARMY&lt;/span&gt;&lt;/span&gt;&lt;/span&gt; | Published in English as "Pineapple Army" (1985 - 1988)&lt;/p&gt;&#13;
&lt;p&gt;&lt;strong&gt;1986&lt;/strong&gt;&lt;br /&gt;Yawara! (ヤワラ)&lt;/p&gt;&#13;
&lt;p&gt;&lt;strong&gt;1988&lt;/strong&gt;&lt;br /&gt;N.A.S.A&lt;/p&gt;&#13;
&lt;p&gt;&lt;strong&gt;1988&lt;/strong&gt;&lt;br /&gt;Masutā Kīton (MASTERキートン) | Published in English as "Master Keaton"&lt;/p&gt;&#13;
&lt;h2&gt;1990s&lt;/h2&gt;&#13;
&lt;p&gt;&lt;strong&gt;1993&lt;/strong&gt;&lt;br /&gt;Happy! (1993 - 1999)&lt;/p&gt;&#13;
&lt;p&gt;&lt;strong&gt;1994&lt;/strong&gt;&lt;br /&gt;Jigoro!&lt;/p&gt;&#13;
&lt;p&gt;&lt;strong&gt;1994&lt;/strong&gt;&lt;br /&gt;Monsutā (&lt;span style="font-weight: normal;"&gt;&lt;span title="Japanese-language text"&gt;&lt;span lang="ja"&gt;モンスター&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;) | Published in English as &lt;a href="https://lis5472.cci.fsu.edu/sp26/group6/items/show/12"&gt;"Monster"&lt;/a&gt; (1994 - 2001)&lt;/p&gt;&#13;
&lt;p&gt;&lt;strong&gt;1999&lt;/strong&gt;&lt;br /&gt;Nijusseiki Shōnen (20世紀少年) | Published in English as "20th Century Boys" (1999 - 2006, 2007)&lt;/p&gt;&#13;
&lt;h2&gt;2000s&lt;/h2&gt;&#13;
&lt;p&gt;&lt;strong&gt;2000&lt;/strong&gt;&lt;br /&gt;Shoki no Urusawa (初期のURASAWA)&lt;/p&gt;&#13;
&lt;p&gt;&lt;strong&gt;2003&lt;/strong&gt;&lt;br /&gt;Pluto (プルートウ) | Published in English as "Pluto" [Based on Tezuka Osamu's "Astro Boy"] (2003 - 2009)&amp;nbsp;&lt;/p&gt;&#13;
&lt;p&gt;&lt;strong&gt;2006&lt;/strong&gt;&lt;br /&gt;Tsuki ni Mukatte Nagero! (月に向かって投げろ!) | Published in English as "Throw Toward the Moon!"&lt;/p&gt;&#13;
&lt;p&gt;&lt;strong&gt;2008&lt;/strong&gt;&lt;br /&gt;Birī Batto (ビリーバット) | Published in English as "Billy Bat" (2008 - 2016)&lt;/p&gt;&#13;
&lt;h2&gt;2010s&lt;/h2&gt;&#13;
&lt;p&gt;&lt;strong&gt;2012&lt;/strong&gt;&lt;br /&gt;Masutā Kīton Remasutā (MASTERキートン Reマスター) (2012 - 2014)&amp;nbsp;&lt;/p&gt;&#13;
&lt;p&gt;&lt;strong&gt;2013&lt;/strong&gt;&lt;br /&gt;&lt;span style="font-weight: normal;"&gt;&lt;span title="Hepburn transliteration"&gt;Kaijū Ōkoku&lt;/span&gt;&lt;/span&gt; (怪獣王国) | Published in English as "Kaiju Kingdom"&lt;/p&gt;&#13;
&lt;p&gt;&lt;strong&gt;2016&lt;/strong&gt;&lt;br /&gt;Damiyan! (ダミヤン) | Published in English as "Damiyan!"&lt;/p&gt;&#13;
&lt;p&gt;&lt;strong&gt;2017&lt;/strong&gt;&lt;br /&gt;Yume shiroshi-Mujirushi- (夢印-MUJIRUSHI-) | Published in English as "Mujirushi: The Sign of Dreams" (2017 - 2018)&amp;nbsp;&lt;/p&gt;&#13;
&lt;p&gt;&lt;strong&gt;2018&lt;/strong&gt;&lt;br /&gt;&lt;span jsname="toZopb"&gt;Ittsu a byutte ~ifurudei&lt;/span&gt; (いっつあびゅうてぃふるでい) | Published in English as "It's a Beautiful Day" [Original draft by Endo Kenji]&lt;/p&gt;&#13;
&lt;p&gt;&lt;strong&gt;2018&lt;/strong&gt;&lt;br /&gt;Renzoku Manga Shōsetsu Asadora! (連続漫画小説 あさドラ!) | Published in English as Asadora! (2018 - present)&lt;/p&gt;&#13;
&lt;p&gt;&lt;strong&gt;2019&lt;/strong&gt;&lt;br /&gt;&lt;span style="font-weight: normal;"&gt;&lt;span title="Hepburn transliteration"&gt;Kushami Urasawa Naoki Tanpenshū&lt;/span&gt;&lt;/span&gt; (くしゃみ 浦沢直樹短編集) | Published in English as "Sneeze: Naoki Urasawa Story Collection"&lt;/p&gt;&#13;
&lt;h2&gt;2020s&lt;/h2&gt;&#13;
&lt;p&gt;&lt;strong&gt;2021&lt;/strong&gt;&lt;br /&gt;Dr. Toguro Dokuro no Saigo (Dr.トグロドクロの最期)&lt;/p&gt;</text>
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              <text>&lt;p&gt;Naoki Urasawa (浦沢直樹) is a mangaka and musician born in Tokyo in 1960. He graduated from Meisei University with a degree in economics and made his professional manga debut in 1983. He is considered one of the foremost storytellers in the medium, celebrated for dense, multi-layered thriller narratives and his mastery of suspense across hundreds of chapters. Urasawa has been called one of the artists who changed the history of manga and he has won awards including the Shogakukan Manga Award three times, the Tezuka Osamu Cultural Prize twice, and the Kondansha Manga Award once. Urasawa's works span many genres including horror, mystery, science fiction, history, and action. While he is both artist and writer on many works, he has also collaborated with writers, such as his former editor, Takashi Nagasaki.&lt;/p&gt;&#13;
&lt;p&gt;His thriller &lt;em&gt;Monster&lt;/em&gt; brought him international acclaim and won him the Tezuka Osamu Cultural Prize. &lt;em&gt;20th Century Boys&lt;/em&gt; won the Eisner Award for Best U.S. Edition of International Material in 2011 and was adapted into a trilogy of live-action films. His reimagining of Osamu Tezuka's &lt;em&gt;Astro Boy&lt;/em&gt; as the murder mystery &lt;em&gt;Pluto&lt;/em&gt; was later adapted as a Netflix anime. Urasawa is also a musician, releasing albums under the name Bob Lennon.&lt;/p&gt;&#13;
&lt;a href="https://en.wikipedia.org/wiki/Naoki_Urasawa"&gt;More information on Wikipedia.&lt;/a&gt;</text>
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            <name>Provenance</name>
            <description>A statement of any changes in ownership and custody of the resource since its creation that are significant for its authenticity, integrity, and interpretation. The statement may include a description of any changes successive custodians made to the resource.</description>
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                <text>Dan'o Reid</text>
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              <text>Osaka, Japan</text>
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              <text>&lt;h2&gt;2000s&lt;/h2&gt;&#13;
&lt;p&gt;&lt;strong&gt;2005&lt;/strong&gt;&lt;br /&gt;YUNGE!&lt;/p&gt;&#13;
&lt;p&gt;&lt;strong&gt;2007&lt;/strong&gt;&lt;br /&gt;Juhou Kaikin!! Haido ando Kurōsā (呪法解禁!!ハイド&amp;amp;クローサー) | Published in English as Hyde &amp;amp; Closer (2007 - 2009)&lt;/p&gt;&#13;
&lt;h2&gt;2010s&lt;/h2&gt;&#13;
&lt;p&gt;&lt;strong&gt;2010&lt;/strong&gt;&lt;br /&gt;Imawa no Kuni no Arisu (今際の国のアリス) | Published in English as &lt;a href="https://lis5472.cci.fsu.edu/sp26/group6/items/show/10" target="_blank" rel="noopener"&gt;Alice in Borderland&lt;/a&gt; (2010 - 2016)&lt;/p&gt;&#13;
&lt;p&gt;&lt;strong&gt;2018&lt;/strong&gt;&lt;br /&gt;Zon 100 ~ Zonbi ni Naru made ni Shitai 100 no Koto ~ (ゾン100 ～ゾンビになるまでにしたい100のこと～) | Published in English as Zom 100: Bucket List of the Dead (2018 - present)&lt;/p&gt;&#13;
&lt;h2&gt;2020s&lt;/h2&gt;&#13;
&lt;p&gt;&lt;strong&gt;2021&amp;nbsp;&lt;/strong&gt;&lt;br /&gt;Noyu Girl (2021 - 2022) with Shirō&amp;nbsp;Yoshida&lt;/p&gt;&#13;
&lt;p&gt;&lt;strong&gt;2022&lt;/strong&gt;&lt;br /&gt;Sex-chan with Tatsunari Iota and Mano Sakamoto&lt;br /&gt;&lt;br /&gt;&lt;/p&gt;</text>
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              <text>&lt;p&gt;Haro Aso (麻生羽呂) is a Japanese manga artist born in Osaka in 1980. He attended Kansai University before dropping out, and trained as an assistant under &lt;em&gt;Zatch Bell!!&lt;/em&gt; creator Makoto Raiku. After winning Shōnen Sunday's Manga College Award in 2004, he debuted with &lt;em&gt;YUNGE!&lt;/em&gt; the following year and launched his first series, &lt;em&gt;Hyde &amp;amp; Closer&lt;/em&gt;, in 2007.&lt;/p&gt;&#13;
&lt;p&gt;He is best known for his work on &lt;a href="https://lis5472.cci.fsu.edu/sp26/group6/items/show/10" target="_blank" rel="noopener"&gt;"Alice in Borderland"&lt;/a&gt;, a survival thriller set in an abandoned Tokyo where players are forced into deadly games to earn their stay. It ran from 2010 to 2016 and was adapted into a globally successful Netflix live-action series. After retiring from illustration in 2016, he provided the story for Zom 100: Bucket List of the Dead.&lt;/p&gt;&#13;
&lt;a href="https://en.wikipedia.org/wiki/Haro_Aso"&gt;More information on Wikipedia.&lt;/a&gt;</text>
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                <text>麻生羽呂</text>
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            <name>Provenance</name>
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            <name>Date Created</name>
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      <name>Manga</name>
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                <text>Rabbit Doubt</text>
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            <name>Source</name>
            <description>A related resource from which the described resource is derived</description>
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                <text>&lt;img src="https://myanimelist.net/images/manga/2/50455.jpg" alt="Manga Cover" style="max-width: 100%; height: auto; margin-top: 0px; margin-bottom: 0px;" /&gt;</text>
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                <text>&lt;details&gt;&#13;
&lt;summary style="display: inline-block; cursor: zoom-in;"&gt;&lt;img src="https://threadripper.tail4e4fb.ts.net/api/reader/image?chapterId=1992&amp;amp;apiKey=2tEHchoxnp1wIPex4l8nHZ0Y8IIybmo9&amp;amp;page=59" alt="Preview Manga Page" style="max-width: 300px; display: block;" /&gt;&lt;/summary&gt;&#13;
&lt;img src="https://threadripper.tail4e4fb.ts.net/api/reader/image?chapterId=1992&amp;amp;apiKey=2tEHchoxnp1wIPex4l8nHZ0Y8IIybmo9&amp;amp;page=59" alt="Full-size Art Example" style="max-width: 90vw; max-height: 90vh; width: auto; height: auto; margin-top: 1rem; display: block;" /&gt;&lt;/details&gt;</text>
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                <text>&lt;details&gt;&#13;
&lt;summary style="display: inline-block; cursor: zoom-in;"&gt;&lt;img src="https://threadripper.tail4e4fb.ts.net/api/reader/image?chapterId=1992&amp;amp;apiKey=2tEHchoxnp1wIPex4l8nHZ0Y8IIybmo9&amp;amp;page=107" alt="Preview Manga Page" style="max-width: 300px; display: block;" /&gt;&lt;/summary&gt;&#13;
&lt;img src="https://threadripper.tail4e4fb.ts.net/api/reader/image?chapterId=1992&amp;amp;apiKey=2tEHchoxnp1wIPex4l8nHZ0Y8IIybmo9&amp;amp;page=107" alt="Full-size Art Example" style="max-width: 90vw; max-height: 90vh; width: auto; height: auto; margin-top: 1rem; display: block;" /&gt;&lt;/details&gt;</text>
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              <elementText elementTextId="778">
                <text>&lt;details&gt;&#13;
&lt;summary style="display: inline-block; cursor: zoom-in;"&gt;&lt;img src="https://threadripper.tail4e4fb.ts.net/api/reader/image?chapterId=1992&amp;amp;apiKey=2tEHchoxnp1wIPex4l8nHZ0Y8IIybmo9&amp;amp;page=196" alt="Preview Manga Page" style="max-width: 300px; display: block;" /&gt;&lt;/summary&gt;&#13;
&lt;img src="https://threadripper.tail4e4fb.ts.net/api/reader/image?chapterId=1992&amp;amp;apiKey=2tEHchoxnp1wIPex4l8nHZ0Y8IIybmo9&amp;amp;page=196" alt="Full-size Art Example" style="max-width: 90vw; max-height: 90vh; width: auto; height: auto; margin-top: 1rem; display: block;" /&gt;&lt;/details&gt;</text>
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            <description>A language of the resource</description>
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                <text>Predator hunting</text>
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                <text>The popular cell phone game, "Rabbit Doubt," becomes a reality for a group of four. In an abandoned psychiatric hospital, the four must survive the killer wolf player, who watches the four through the hospital's surveillance system.</text>
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                <text>&lt;a href="https://lis5472.cci.fsu.edu/sp26/group6/items/show/45" target="_blank" rel="noopener"&gt;&lt;span onclick="window.location='https://lis5472.cci.fsu.edu/sp26/group6/items/show/45'" style="cursor: pointer; color: #103cb1;"&gt; Tonogai, Yoshiki &lt;/span&gt;&lt;/a&gt;</text>
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                <text>Sarah Romero</text>
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                <text>ダウト </text>
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          <element elementId="86">
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            <description>A class of entity for whom the resource is intended or useful.</description>
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                <text>Shonen</text>
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      <name>Manga</name>
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          <name>Primary Subgenre</name>
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          <description>The genre of the item according to the LCGFT (autosuggested by LC Suggest)</description>
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            <name>Source</name>
            <description>A related resource from which the described resource is derived</description>
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&lt;summary style="display: inline-block; cursor: zoom-in;"&gt;&lt;img src="https://threadripper.tail4e4fb.ts.net/api/reader/image?chapterId=2005&amp;amp;apiKey=2tEHchoxnp1wIPex4l8nHZ0Y8IIybmo9&amp;amp;page=362" alt="Preview Manga Page" style="max-width: 300px;" /&gt;&lt;/summary&gt;&#13;
&lt;img src="https://threadripper.tail4e4fb.ts.net/api/reader/image?chapterId=2005&amp;amp;apiKey=2tEHchoxnp1wIPex4l8nHZ0Y8IIybmo9&amp;amp;page=362" alt="Full-size Art Example" style="max-width: 90vw; max-height: 90vh; width: auto; height: auto; margin-top: 1rem; display: block;" /&gt;&lt;/details&gt;</text>
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                <text>A homeless man undergoes trepanation for money. Little does he know, this procedure will allow him to see the "homunculi"-- distorted, monstrous versions of people's inner selves. This new ability leads him on his own psychological journey to discover oneself, identity, and confront the dark truths of humanity,</text>
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                <text>ホムンクルス </text>
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              <text>&lt;p&gt;Q Hayashida (林田球) is a Japanese manga artist born in Tokyo in 1977. She studied oil painting at the Tokyo University of the Arts before pivoting to manga, training herself rather than taking the traditional apprenticeship route. Her career began in 1997 with a one-shot, and she made her major debut with &lt;em&gt;Maken X Another&lt;/em&gt; (1999–2001), a tie-in for a video game.&lt;/p&gt;&#13;
&lt;p&gt;Her signature work, &lt;em&gt;Dorohedoro&lt;/em&gt;, ran from 2000 to 2018 across 23 volumes and built a devoted cult following for its grimy, chaotic fantasy world, dark humor, and densely detailed artwork. It was adapted into an anime by MAPPA in 2020. Her current series, &lt;em&gt;Dai Dark&lt;/em&gt;, continues in a similar vein with a science-fantasy setting. Hayashida is known for her mixed-media cover art, which uses layers of paint on textured paper.&lt;/p&gt;&#13;
&lt;p&gt;She has discussed her childhood and artistic inspirations in interviews (see below), but otherwise maintains a high level of privacy about her personal life, to the point that her true name and face are unknown.&lt;br /&gt;&lt;br /&gt;&lt;a href="https://web.archive.org/web/20130430044335/http://www.sigikki.com/features/012.shtml" target="_blank" rel="noopener"&gt;Interview (2010-04-21) with VIZ Media&lt;/a&gt;&lt;br /&gt;&lt;a href="https://web.archive.org/web/20170716074029/http://q-hayashida.com/blog/category/interview" target="_blank" rel="noopener"&gt;Her Personal Blog with Various Interviews&lt;/a&gt;&lt;/p&gt;</text>
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              <text>&lt;h2&gt;1990s&lt;/h2&gt;&#13;
&lt;p&gt;&lt;strong&gt;1997&lt;/strong&gt;&lt;br /&gt;Sofa-chan (ソファーちゃん)&lt;/p&gt;&#13;
&lt;h2&gt;2000s&lt;/h2&gt;&#13;
&lt;p&gt;&lt;strong&gt;2000&lt;/strong&gt;&lt;br /&gt;Dorohedoro (ドロヘドロ) | Published in English as &lt;a href="https://lis5472.cci.fsu.edu/sp26/group6/items/show/7" target="_blank" rel="noopener"&gt;"Dorohedoro"&lt;/a&gt; (2000 - 2018) &lt;br /&gt;魔剣X ANoTHER (2000 - 2001)&lt;/p&gt;&#13;
&lt;h2&gt;2010s&lt;/h2&gt;&#13;
&lt;p&gt;&lt;strong&gt;2011&lt;/strong&gt;&lt;br /&gt;&lt;span class="releasestitle tabletitle"&gt;Huvahh&lt;/span&gt; (フヴァッ)&lt;/p&gt;&#13;
&lt;p&gt;&lt;strong&gt;2015&lt;/strong&gt;&lt;br /&gt;&lt;span jsname="toZopb"&gt;Tama (球) | One shot for Hanshin taigāsu sōsetsu 80 shūnenkinen zōkan&lt;/span&gt; (阪神タイガース 創設80周年記念&lt;span class="text"&gt;増刊&lt;/span&gt;)&lt;/p&gt;&#13;
&lt;p&gt;&lt;strong&gt;2019&lt;br /&gt;&lt;/strong&gt;Dai Dark (大ダーク) | Published in English as &lt;a href="https://lis5472.cci.fsu.edu/sp26/group6/items/show/16" target="_blank" rel="noopener"&gt;"Dai Dark"&lt;/a&gt; (2019 - present)&amp;nbsp;&lt;/p&gt;</text>
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              <text>&lt;h2&gt;2010s&lt;/h2&gt;&#13;
&lt;p&gt;&lt;strong&gt;2013&lt;/strong&gt;&lt;br /&gt;Buchou wa Onee (部長はオネエ)&lt;/p&gt;&#13;
&lt;p&gt;&lt;strong&gt;2015&lt;/strong&gt;&lt;br /&gt;Nivawa to Saitou (ニヴァウァと斎藤)&lt;br /&gt;Totsukuni no Shōjo (とつくにの少女) | Published in English as "&lt;a target="_blank" rel="noopener" class="text-primary underline" href="https://lis5472.cci.fsu.edu/sp26/group6/items/show/15"&gt;The Girl From the Other Side: Siúil, a Rún&lt;/a&gt;" (2015 - 2021)&lt;br /&gt;Wizdoms no Kemono-tachi (ウィズダムズのけものたち) | Published in English as "The Wize Wize Beasts of the Wizarding Wizdoms"&amp;nbsp;&lt;/p&gt;&#13;
&lt;p&gt;&lt;strong&gt;2016&lt;/strong&gt;&lt;br /&gt;Henteko na Ai: Nagabe Tanpenshuu (ながべ短編集 -ヘンテコな愛-) | Published in English as "Love On The Other Side: A Nagabe Short Story Collection"&amp;nbsp;&lt;br /&gt;Ishu Renai Monogatarishuu (異種恋愛物語集) | Anthology with Takayama, Shinobu; Aikawa, Yuu; Kissan, D.; Kamikou, Chizu; Moukon, Icchokusen; Sanzou; Mogusu, Sumiyoshi, Ryou; Yamashiro, Umeta; Ogata, Tomio&lt;/p&gt;&#13;
&lt;p&gt;&lt;strong&gt;2019&lt;/strong&gt;&lt;br /&gt;Monotōn burū (モノトーン・ブルー) | Published in English as "Monotone Blue"&lt;/p&gt;&#13;
&lt;h2&gt;2020s&lt;/h2&gt;&#13;
&lt;p&gt;&lt;strong&gt;2022&lt;/strong&gt;&lt;br /&gt;EAT | Published in English as "Eat"&lt;br /&gt;SMELL | Published in English as "Smell"&lt;/p&gt;</text>
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              <text>&lt;p&gt;Nagabe is a Japanese manga artist who studied fine arts at Musashino University. Rather than taking the traditional apprenticeship path into the industry, Nagabe trained independently, and was still a student when his first published work appeared. His debut attracted attention for its distinctive drawing style - heavily influenced by fine art printmaking - and for narratives blending the fantastical with the melancholic.&lt;/p&gt;&#13;
&lt;p&gt;His best-known work, &lt;a href="https://lis5472.cci.fsu.edu/sp26/group6/items/show/15" target="_blank" rel="noopener"&gt;"The Girl from the Other Side"&lt;/a&gt;, ran from 2015 to 2021 across eleven volumes in &lt;em&gt;Monthly Comic Garden&lt;/em&gt;. Set in a medieval-like world where a deadly curse spreads by touch, it was partly inspired by the fairy tale &lt;em&gt;Beauty and the Beast&lt;/em&gt; and was nominated for the Best Comic award at the 2018 Angoulême International Comics Festival. An animated film adaptation by Wit Studio was released in 2022.&lt;/p&gt;</text>
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                <text>ながべ</text>
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              <text>&lt;p&gt;Daisuke Igarashi (五十嵐大介) is a Japanese manga artist born in Saitama in 1969. He studied oil painting at Tama Art University, where he was classmates with Hiroaki Samura, and debuted professionally in 1993 in &lt;em&gt;Monthly Afternoon&lt;/em&gt;. He is known for his meticulous depictions of the natural world and his use of spiritual or surreal elements to explore the relationship between humanity and nature. Igarashi draws inspiration from folklore and nature combined with surrealism and spiritual themes to create a style that has earned comparisons to the films of Hayao Miyazaki (Igarashi himself stated in an interview that Miyazaki's film &lt;i&gt;My Neighbor Totoro&lt;/i&gt; was a key influence on his decision to become a manga artist). He works without assistants, producing intricate, photorealistic backgrounds in ink and ballpoint pen.&lt;/p&gt;&#13;
&lt;p&gt;His series &lt;a href="https://lis5472.cci.fsu.edu/sp26/group6/items/show/5" target="_blank" rel="noopener"&gt;"Witches"&lt;/a&gt; and &lt;em&gt;Children of the Sea&lt;/em&gt; - both published in &lt;em&gt;Monthly Ikki&lt;/em&gt; - received Excellence Prizes at the Japan Media Arts Festival. &lt;em&gt;Children of the Sea&lt;/em&gt; was adapted into an anime film by Studio 4°C in 2019.&lt;/p&gt;</text>
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              <text>&lt;h2&gt;1990s&lt;/h2&gt;&#13;
&lt;p&gt;&lt;strong&gt;1994&lt;/strong&gt;&lt;br /&gt;Hanashippanashi (はなしっぱなし) (1994 - 1996)&lt;/p&gt;&#13;
&lt;h2&gt;2000s&lt;/h2&gt;&#13;
&lt;p&gt;&lt;strong&gt;2002&lt;/strong&gt;&lt;br /&gt;Sora Tobi Tamashii (そらトびタマシイ)&lt;br /&gt;Ritoru Foresuto リトル・フォレスト) (2002 - 2005)&lt;/p&gt;&#13;
&lt;p&gt;&lt;strong&gt;2003&lt;/strong&gt;&lt;br /&gt;Majo (魔女) | Published in English as &lt;a href="https://lis5472.cci.fsu.edu/sp26/group6/items/show/5" target="_blank" rel="noopener"&gt;"Witches"&lt;/a&gt; (2003 - 2004)&lt;br /&gt;Kabocha no Bōken (カボチャの冒険) (2003 - 2007)&lt;/p&gt;&#13;
&lt;p&gt;&lt;strong&gt;2006&lt;/strong&gt;&lt;br /&gt;Kaijū no Kodomo (海獣の子供) | Published in English as "Children of the Sea" (2006 - 2011)&lt;/p&gt;&#13;
&lt;h2&gt;2010s&lt;/h2&gt;&#13;
&lt;p&gt;&lt;strong&gt;2010&lt;/strong&gt;&lt;br /&gt;Saru&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;2015&lt;/strong&gt;&lt;br /&gt;Kyō no Ani Imōto (きょうのあにいもうと)&lt;br /&gt;Dizainzu (ディザインズ) | Published in English as "Designs" (2015 - 2019)&lt;/p&gt;&#13;
&lt;p&gt;&lt;strong&gt;2017&lt;/strong&gt;&lt;br /&gt;Umwelt (ウムヴェルト)&lt;/p&gt;&#13;
&lt;h2&gt;2020s&lt;/h2&gt;&#13;
&lt;p&gt;&lt;strong&gt;2022&lt;/strong&gt;&lt;br /&gt;Kamakura Bake Neko Club (2022 - present)&lt;/p&gt;</text>
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              <description>A name given to the resource</description>
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                <elementText elementTextId="13">
                  <text>Mangaka</text>
                </elementText>
              </elementTextContainer>
            </element>
          </elementContainer>
        </elementSet>
      </elementSetContainer>
    </collection>
    <itemType itemTypeId="12">
      <name>Person</name>
      <description>An individual.</description>
      <elementContainer>
        <element elementId="31">
          <name>Birth Date</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="258">
              <text>1963</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="32">
          <name>Birthplace</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="259">
              <text>Nakatsugawa, Gifu, Japan</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="34">
          <name>Occupation</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="282">
              <text>Mangaka</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="36">
          <name>Bibliography</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="568">
              <text>&lt;h2&gt;1980s&lt;/h2&gt;&#13;
&lt;p&gt;&lt;strong&gt;1987&lt;/strong&gt;&lt;br /&gt;Tomie (富江) | Published in English as&lt;a target="_blank" rel="noopener noreferrer nofollow" class="text-primary underline" href="https://lis5472.cci.fsu.edu/sp26/group6/items/show/14"&gt; "Tomie"&lt;/a&gt;&lt;br /&gt;Biohausu (バイオハウス) | Published in English as "Bio House"&lt;br /&gt;Kao dorobō (顔泥棒) | Published in English as "Face Thief"&lt;br /&gt;&lt;strong&gt;&lt;br /&gt;1988&lt;/strong&gt;&lt;br /&gt;Suimo no heya (睡魔の部屋) | Published in English as "Where The Sandman Lives"&lt;br /&gt;Akumo no riron (悪魔の理論) | Published in English as "The Devil's Logic"&lt;br /&gt;Tomie Part 2 =Morita byouinhen= (富江PART2＝森田病院編＝) | Published in English as &lt;a target="_blank" rel="noopener noreferrer nofollow" class="text-primary underline" href="https://lis5472.cci.fsu.edu/sp26/group6/items/show/14"&gt;"Morita Hospital"&lt;/a&gt;&lt;br /&gt;Yaneura no choujin (屋根裏の長神) | Published in English as "The Long Hair in the Attic"&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;1989&lt;/strong&gt;&lt;br /&gt;Kubi gensō (首幻想) | Published in English as "Neck Specter"&lt;br /&gt;Chikashitsu (地下室) | Published in English as &lt;a target="_blank" rel="noopener noreferrer nofollow" class="text-primary underline" href="https://lis5472.cci.fsu.edu/sp26/group6/items/show/14"&gt;"Basement"&lt;/a&gt;&lt;br /&gt;Scenario-doori no Koi (シナリオどおりの恋) | Published in English as "Scripted Love"&lt;br /&gt;Re-animator no Ken (リ・アニメーターの剣) | Published in English as "The Reanimator's Sword"&lt;br /&gt;Tomie Part 4 Shashin (富江　 ＰＡＲＴ４　 写真) | Published in English as &lt;a target="_blank" rel="noopener noreferrer nofollow" class="text-primary underline" href="https://lis5472.cci.fsu.edu/sp26/group6/items/show/14"&gt;"Photo"&lt;/a&gt;&lt;/p&gt;&#13;
&lt;h2&gt;1990s&lt;/h2&gt;&#13;
&lt;p&gt;&lt;strong&gt;1990&lt;/strong&gt;&lt;br /&gt;Tomie Part 5 Seppun (富江　 ＰＡＲＴ５　 接吻) | Published in English as &lt;a target="_blank" rel="noopener noreferrer nofollow" class="text-primary underline" href="https://lis5472.cci.fsu.edu/sp26/group6/items/show/14"&gt;"Kiss"&lt;/a&gt;&lt;br /&gt;Himuro Nami no sekai (氷室奈美の世界)&lt;u&gt;&lt;br /&gt;&lt;/u&gt;Chichi no Kokoro &lt;u&gt;(&lt;/u&gt;父の心) | Published in English as "A Father's Love"&lt;br /&gt;Yashiki (屋敷) | Published in English as &lt;a target="_blank" rel="noopener noreferrer nofollow" class="text-primary underline" href="https://lis5472.cci.fsu.edu/sp26/group6/items/show/14"&gt;"Mansion"&lt;/a&gt;&lt;br /&gt;Taegatai meiro (耐えがたい迷路) | Published in English as "Unendurable Labyrinth"&lt;br /&gt;Ijime musume (いじめっ娘) | Published in English as "Bullied"&lt;br /&gt;Ikiriyō no numa (生霊の沼) | Published in English as "Bog of Living Spirits"&lt;br /&gt;Akaito (赤い糸) | Published in English as "The Red Thread"&lt;br /&gt;Sairen no mura (サイレンの村) | Published in English as "Village of the Siren"&lt;br /&gt;Chūko rekodo (中古レコード) | Published in English as "Used Record"&lt;br /&gt;&lt;strong&gt;&lt;br /&gt;1991&lt;/strong&gt;&lt;br /&gt;Okuru hito (贈る人) | Published in English as "The Giver"&lt;br /&gt;Penfurendo (ペンフレンド) | Published in English as "Penpal" &lt;br /&gt;Hashi (橋) | Published in English as "The Bridge"&lt;br /&gt;Tabakokai (煙草会) | Published in English as "The Smoking Club"&lt;br /&gt;Sākasu ga kita (サーカスが来た) | Published in English as "The Circus Has Come to Town"&lt;br /&gt;Hachinosu (蜂の巣) | Published in English as "Hornet Nest"&lt;br /&gt;Chizu no machi (地図の町) | Published in English as "Town of Maps"&lt;br /&gt;Kubi no nai chōkoku (首のない彫刻) | Published in English as "Headless Sculptures"&lt;br /&gt;Tanoshī natsuyasumi (楽しい夏休み) | Published in English as "Happy Summer Vacation"&lt;br /&gt;Hakumei (薄命) | Published in English as "Die Young"&lt;br /&gt;Kabi (黴) | Published in English as "Mold"&lt;br /&gt;Shin'nyū sha (侵入者) | Published in English as "Intruder"&lt;br /&gt;Samuke (寒気) | Published in English as "Shiver"&lt;br /&gt;Kakashi (案山子) | Published in English as "Scarecrow"&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;1992&lt;/strong&gt;&lt;br /&gt;Tanoshī fuyuyasumi (楽しい冬休み) | Published in English as "A Happy Winter Vacation"&lt;br /&gt;Isho (遺書) | Published in English as "Suicide Note"&lt;br /&gt;Rodjiura (路地裏) | Published in English as "The Back Alley"&lt;br /&gt;Michi no nai machi (道のない街) | Published in English as "Town of No Roads"&lt;br /&gt;Oshikiri i-dan (押切異談) | Published in English as "The Strange Tale of Oshikiri"&lt;br /&gt;Fasshonmoderu (ファッションモデル) | Published in English as "Fashion Model"&lt;br /&gt;Souichi no tanoshii nikki (双一の楽しい日記) | Published in English as "Soichi's Happy Diary"&lt;br /&gt;Souichi no katei hōmon (双一の家庭訪問) | Published in English as "Soichi's Home Visit"&lt;br /&gt;Rakka (落下) | Published in English as "Descent" &lt;br /&gt;Aibeya (相部屋) | Published in English as "The Conversation Room"&lt;br /&gt;Ryokan (旅館) | Published in English as "The Inn"&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;1993&lt;/strong&gt;&lt;br /&gt;Kioku (記憶) | Published in English as "Memory"&lt;br /&gt;Nunosei kyōshi (布製教師) | Published in English as "Teacher of Cloth"&lt;br /&gt;Oshikiri i-dan kabe (押切異談・壁) | Published in English as "The Strange Tale of Oshikiri: The Walls"&lt;br /&gt;Yurushi (許し) | Published in English as "Blessing"&lt;br /&gt;Souichi no tanjoubi (双一の誕生日) | Published in English as "Soichi's Birthday"&lt;br /&gt;Aisukurīmu basu (アイスクリーム バス) | Published in English as "Ice Cream Bus"&lt;br /&gt;Tomie・fukushū 〜 ribenji 〜 (富江・復讐〜リベンジ〜) | Published in English as &lt;a target="_blank" rel="noopener noreferrer nofollow" class="text-primary underline" href="https://lis5472.cci.fsu.edu/sp26/group6/items/show/14"&gt;"Revenge"&lt;/a&gt;&lt;br /&gt;Chō shizen tenkōsei (超自然転校生) | Published in English as "Supernatural Transfer Student"&lt;br /&gt;Umekuhaisuikan (うめく排水管) | Published in English as "Moan"&lt;br /&gt;Iō sekkin!〜 Niamisu 〜 (異常接近！〜ニアミス〜) | Published in English as "Near Miss"&lt;br /&gt;Chi tamaki (血玉樹) | Published in English as "Blood Orb Grove"&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;1994&lt;/strong&gt;&lt;br /&gt;Kubitsuri kikyū (首吊り気球) | Published in English as "Hanging Blimp"&lt;br /&gt;Ayatsuri yashiki (あやつり屋敷) | Published in English as "The House of the Marionettes"&lt;br /&gt;Tsuchi no naka (土の中・・・) | Published in English as "Under the Ground"&lt;br /&gt;Nikuiro no kai (肉色の怪) | Published in English as "Flesh-Colored Mystery"&lt;br /&gt;Nakamo no ie (仲間の家) | Published in English as "Clubhouse"&lt;br /&gt;Bohyō no machi (墓標の町) | Published in English as "Tombs"&lt;br /&gt;Namekuji shōjo (なめくじ少女) | Published in English as "Slug Girl"&lt;br /&gt;Furankenshutain (フランケンシュタイン) | Published in English as "Frankenstein"&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;1995&lt;/strong&gt;&lt;br /&gt;Tonari no mado (隣の窓) | Published in English as "The Window Next Door"&lt;br /&gt;Souichi no kattena noroi (双一の勝手な呪い) | Published in English as "Soichi's Petty Curses" &lt;br /&gt;Shijū kabe no heya (四重壁の部屋) | Published in English as "Four-Layered Room"&lt;br /&gt;Kan'noke (棺桶) | Published in English as "Coffin"&lt;br /&gt;Uwasa (噂) | Published in English as "Rumors"&lt;br /&gt;Gaka (画家) | Published in English as &lt;a target="_blank" rel="noopener noreferrer nofollow" class="text-primary underline" href="https://lis5472.cci.fsu.edu/sp26/group6/items/show/14"&gt;"Painter"&lt;/a&gt;&lt;br /&gt;Hyouchaku mono (漂着物) | Published in English as "Washed Ashore"&lt;br /&gt;Ansatsu (暗殺) | Published in English as &lt;a target="_blank" rel="noopener noreferrer nofollow" class="text-primary underline" href="https://lis5472.cci.fsu.edu/sp26/group6/items/show/14"&gt;"Assassins"&lt;/a&gt;&lt;br /&gt;Mōhatsu (毛髪) | Published in English as &lt;a target="_blank" rel="noopener noreferrer nofollow" class="text-primary underline" href="https://lis5472.cci.fsu.edu/sp26/group6/items/show/14"&gt;"Hair"&lt;/a&gt;&lt;br /&gt;Yōjo (養女) | Published in English as &lt;a target="_blank" rel="noopener noreferrer nofollow" class="text-primary underline" href="https://lis5472.cci.fsu.edu/sp26/group6/items/show/14"&gt;"Adopted Daughter"&lt;/a&gt;&lt;br /&gt;Kaiki hikizuri kyōdai ・ jijo no koibito (怪奇ひきずり兄妹・次女の恋人) | Published in English as "The Strange Hikizuri Siblings: Narumi's Boyfriend"&lt;br /&gt;Taki tsubo (滝壺) | Published in English as &lt;a href="https://lis5472.cci.fsu.edu/sp26/group6/items/show/14" target="_blank" rel="noopener"&gt;"Waterfall Basin"&lt;/a&gt;&lt;br /&gt;Kaiki hikizuri kyōdai ・ kōrei-kai (怪奇ひきずり兄妹・降霊会) | Published in English as "The Strange Hikizuri Siblings: The Séance"&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;1996&lt;/strong&gt;&lt;br /&gt;Go senzo-sama (ご先祖様) | Published in English as "Honored Ancestors"&lt;br /&gt;Yotsutsuji no bishōnen (四つ辻の美少年) | Published in English as "The Beautiful Boy at the Crossroads"&lt;br /&gt;Nayamu on'na (悩む女) | Published in English as "A Woman in Distress"&lt;br /&gt;Kage (影) | Published in English as "Shadow"&lt;br /&gt;Zekkyō no yoru (絶叫の夜) | Published in English as "Screams in the Night"&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;1997&lt;/strong&gt;&lt;br /&gt;Nagai yume (長い夢) | Published in English as "The Long Dream"&lt;br /&gt;Ton'neru kita (トンネル奇譚) | Published in English as "The Strange Tale of the Tunnel"&lt;br /&gt;Dō zō (銅像) | Published in English as "Bronze Statue"&lt;br /&gt;Fuyūbutsu (浮遊物) | Published in English as "Floaters"&lt;br /&gt;Daikokubashira hiwa (大黒柱悲話) | Published in English as "The Sad Tale of the Principal Post"&lt;br /&gt;Shirasunamura chi Tan (白砂村血譚) | Published in English as "The Bloody Story of Shirosuna"&lt;br /&gt;Riaruunkonoomoide (リアルウンコノオモイデ) | Published in English as "Memories of Real Poop"&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;1998&lt;/strong&gt;&lt;br /&gt;Uzumaki (うずまき) | Published in English as &lt;a href="https://lis5472.cci.fsu.edu/sp26/group6/items/show/36" target="_blank" rel="noopener"&gt;"Uzumaki"&lt;/a&gt; (1998 - 1999)&lt;br /&gt;Non'non Oyabun (ノンノン親分) | Published in English as "Boss Non-non"&lt;br /&gt;Jigoku no ningyō-sō (地獄の人形葬) | Published in English as "The Hell of the Doll Funeral"&lt;br /&gt;Non'non oyabun no kakurenbo (ノンノン親分のかくれんぼ) | Published in English as "Hide and Seek with Boss Non-non" &lt;br /&gt;&lt;br /&gt;&lt;strong&gt;1999&lt;/strong&gt;&lt;br /&gt;Koyubi (小指) | Published in English as &lt;a target="_blank" rel="noopener noreferrer nofollow" class="text-primary underline" href="https://lis5472.cci.fsu.edu/sp26/group6/items/show/14"&gt;"Little Finger"&lt;/a&gt;&lt;br /&gt;Abarabone no on'na (あばら骨の女) | Published in English as "The Rib Woman"&lt;br /&gt;Shōnen (少年) | Published in English as &lt;a target="_blank" rel="noopener noreferrer nofollow" class="text-primary underline" href="https://lis5472.cci.fsu.edu/sp26/group6/items/show/14"&gt;"Boy"&lt;/a&gt;&lt;/p&gt;&#13;
&lt;h2&gt;2000s&lt;/h2&gt;&#13;
&lt;p&gt;&lt;strong&gt;2000&lt;/strong&gt;&lt;br /&gt;Moromi (もろみ) | Published in English as &lt;a target="_blank" rel="noopener noreferrer nofollow" class="text-primary underline" href="https://lis5472.cci.fsu.edu/sp26/group6/items/show/14"&gt;"Moromi"&lt;/a&gt;&lt;br /&gt;Bebīshittā (ベビーシッター) | Published in English as &lt;a target="_blank" rel="noopener noreferrer nofollow" class="text-primary underline" href="https://lis5472.cci.fsu.edu/sp26/group6/items/show/14"&gt;"Babysitter"&lt;/a&gt;&lt;br /&gt;Aru shūdan (ある集団) | Published in English as &lt;a target="_blank" rel="noopener noreferrer nofollow" class="text-primary underline" href="https://lis5472.cci.fsu.edu/sp26/group6/items/show/14"&gt;"Gathering"&lt;/a&gt;&lt;br /&gt;Tōrima (通り魔) | Published in English as &lt;a target="_blank" rel="noopener noreferrer nofollow" class="text-primary underline" href="https://lis5472.cci.fsu.edu/sp26/group6/items/show/14"&gt;"Passing Demon"&lt;/a&gt;&lt;br /&gt;Toppumoderu (トップモデル) | Published in English as &lt;a target="_blank" rel="noopener noreferrer nofollow" class="text-primary underline" href="https://lis5472.cci.fsu.edu/sp26/group6/items/show/14"&gt;"Top Model"&lt;/a&gt;&lt;br /&gt;Rōshū (老醜) | Published in English as &lt;a target="_blank" rel="noopener noreferrer nofollow" class="text-primary underline" href="https://lis5472.cci.fsu.edu/sp26/group6/items/show/14"&gt;"Old and Ugly"&lt;/a&gt;&lt;br /&gt;Ganmen kotei (顔面固定) | Published in English as "Face Firmly in Place"&lt;br /&gt;Amigaradansō no kai (阿彌殻断層の怪) | Published in English as "The Enigma of Amigara Fault"&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;2001&lt;/strong&gt;&lt;br /&gt;Shiro-fuku no bishōnen (白服の美少年) | Published in English as "The Boy in White"&lt;br /&gt;Gyo ugomeku bukimi (ギョ うごめく不気味) | Published in English as "Gyo" (2001 - 2002)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;2002&lt;/strong&gt;&lt;br /&gt;Denchū no ue ni iru mono (電柱の上にいるもの) | Published in English as "On the Utility Pole"&lt;br /&gt;Hata no kanban (畑の看板) | Published in English as "Sign in the Field"&lt;br /&gt;Tonari no on'na (隣の女) | Published in English as "The Woman Next Door"&lt;br /&gt;Kusaoto (草音) | Published in English as "Rustling in the Grass"&lt;br /&gt;Bosō (墓相) | Published in English as "Grave Placement"&lt;br /&gt;Kaigan (海岸) | Published in English as "Seashore"&lt;br /&gt;Chi o susuru yami (血をすする闇) | Published in English as "Bloodsucking Darkness"&lt;br /&gt;Gōrudentaimu no yūrei (ゴールデンタイムの幽霊) | Published in English as "The Ghosts of Prime Time"&lt;br /&gt;Gōon (轟音) | Published in English as "Roar"&lt;br /&gt;Kyūkyoku no dessan ningyō o motomete ( 究極のデッサン人形を求めて) &lt;br /&gt;&lt;br /&gt;&lt;strong&gt;2003&lt;/strong&gt;&lt;br /&gt;Futari botchi (ふたりぼっち) | Published in English as "Just the Two of Us"&lt;br /&gt;Shu no en (朱の円) | Published in English as "Scarlet Circle"&lt;br /&gt;Obakeyashi no nazo (お化け屋敷の謎) | Published in English as "The Mystery of the Haunted House"&lt;br /&gt;Guriserido (グリセリド) | Published in English as "Greased"&lt;br /&gt;Jibaku-sha (地縛者) | Published in English as "Earthbound"&lt;br /&gt;Shikeishū no yobirin (死刑囚の呼鈴) | Published in English as "Death Row Doorbell"&lt;/p&gt;&#13;
&lt;p&gt;&lt;strong&gt;2004&lt;/strong&gt;&lt;br /&gt;Oku man botchi (億万ぼっち) | Published in English as "Billions Alone"&lt;br /&gt;Ma koe (魔声) &lt;br /&gt;Jigoku-boshi Remina (地獄星レミナ) | Published in English as "Remina" (2004-2005)&lt;br /&gt;Souichi zensen (双一前線) | Published in English as "The Mystery of the Haunted House: Soichi's Version"&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;2005&lt;/strong&gt;&lt;br /&gt;Gō kagamitani nite (合鏡谷にて) | Published in English as "In Mirror Valley"&lt;br /&gt;Yūrei ni naritakunai (幽霊になりたくない) | Published in English as "I Don't Want to Be a Ghost"&lt;br /&gt;Kaiki pabirion (怪奇パビリオン) | Published in English as "Mystery Pavilion"&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;2006&lt;/strong&gt;&lt;br /&gt;Zōsho gen'ei (蔵書幻影) | Published in English as "Library Vision"&lt;br /&gt;Name on'na (舐め女) | Published in English as "The Licking Woman"&lt;br /&gt;Kai dan (潰談) | Published in English as "Smashed"&lt;br /&gt;Souichi no aigan dōbutsu (双一の愛玩動物) | Published in English as "Soichi's Beloved Pet"&lt;br /&gt;Yami no zesshō (闇の絶唱) | Published in English as "Splendid Shadow Song"&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;2007&lt;/strong&gt;&lt;br /&gt;Ningen isu (人間椅子) | Published in English as "The Human Chair"&lt;br /&gt;Miira reta Kirita kyōju (魅入られた切田教授) | Published in English as "How Love Came to Professor Kirida"&lt;br /&gt;Burakkuparadokusu (ブラックパラドクス) | Published in English as "Black Paradox" (2007 - 2008) &lt;br /&gt;Inagawa-san no kaidan tamatebako (稲川さんの怪談玉手箱)&lt;br /&gt;Obake ningyō (お化け人形) | Published in English as "Monster Prop""&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;2008&lt;/strong&gt;&lt;br /&gt;Kono yo no hoka no koi (この世のほかの恋) | Published in English as "An Unearthly Love"&lt;br /&gt;Itōjunji no neko nikki yon &amp;amp; mu ｰ (伊藤潤二の猫日記 よん&amp;amp;むー) | Published in English as "Junji Ito's Cat Diary" (2008 - 2009)&lt;br /&gt;Jiyunji no mokuyoku nikki (潤二の沐浴日記) (2008 - 2009) &lt;br /&gt;&lt;br /&gt;&lt;strong&gt;2009&lt;/strong&gt;&lt;br /&gt;Itōjunji, ōini chōsen suru! 〜 Shakai-ka dai kengaku 〜 (伊藤潤二、大いに挑戦する! 〜社会科大見学〜)&lt;br /&gt;Mimikosuri suru on'na (耳擦りする女) | Published in English as "Whispering Woman"&lt;br /&gt;Yon&amp;amp; mu no yurei bukken (よん＆むーの幽霊物件)&lt;/p&gt;&#13;
&lt;h2&gt;2010s&lt;/h2&gt;&#13;
&lt;p&gt;&lt;strong&gt;2010&lt;/strong&gt;&lt;br /&gt;Natsu no sotsugyō ryokō (夏の卒業旅行)&lt;br /&gt;Yūkoku no rasupūchin (憂国のラスプーチン) (2010 - 2012)&lt;br /&gt;Kitarō no omoide (鬼太郎の思い出)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;2011&lt;/strong&gt;&lt;br /&gt;Miira reta Souichi (魅入られた双一)&lt;br /&gt;Yon wa tengoku ni ikimashita (よんは天国に行きました)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;2012&lt;/strong&gt;&lt;br /&gt;Junshoku madara nikki (潤色まだら日記)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;2013&lt;/strong&gt;&lt;br /&gt;Yōkai kyōshitsu (溶解教室) | Published in English as "Dissolving Classroom"&lt;br /&gt;Futon (布団) | Published in English as "Futon"&lt;br /&gt;Mōten no bīnasu (盲点のビーナス) | Published in English as "Venus in the Blind Spot&lt;br /&gt;Mokuzō no kai (木造の怪) | Published in English as "Wooden Spirit"&lt;br /&gt;Saikai (再開) | Published in English as "The Return"&lt;br /&gt;Rūtin wāku horā (ルーティン・ワーク・ホラー)&lt;br /&gt;Tomio・ akai hainekku (富夫・赤いハイネック) | Published in English as "Tomio" and "Red Turtleneck"&lt;br /&gt;Daichi no ko (大地の子) | Published in English as "Children of The Earth"&lt;br /&gt;Yuruyakana wakare (緩やかな別れ) | Published in English as "Gentle Goodbye"&lt;br /&gt;Kaibō-chan (解剖ちゃん) | Published in English as "Dissection-chan"&lt;br /&gt;Bijo sūhai &amp;lt; yōkai bijo &amp;gt; (美女崇拝＜溶解美女＞) | Published in English as "Dissolving Beauty"&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;2014 &lt;/strong&gt;&lt;br /&gt;Kuroi tori (黒い鳥) | Published in English as "Blackbird"&lt;br /&gt;Yōkai apāto (溶解アパート) | Published in English as "Dissolving Apartment"&lt;br /&gt;Nanakuse Magami (七癖曲美) | Published in English as "Magami Nanakuse"&lt;br /&gt;Chi-zumi no koi (ちずみの恋) | Published in English as "Chizumi in Love"&lt;br /&gt;Haiiri konda otoko (這入りこんだ男) &lt;br /&gt;Akuma no kaiken (悪魔の会見) | Published in English as "Interview with the Devil"&lt;br /&gt;Kamigami no yama makyō no mine (神々の山 魔境の嶺) &lt;br /&gt;Umezu sensei to watashi (楳図先生と私)&lt;br /&gt;Itōjunji no shōjo zankoku dōwa Shirayukihime-hen (伊藤潤二の少女残酷童話 白雪姫編) &lt;br /&gt;&lt;br /&gt;&lt;strong&gt;2015&lt;/strong&gt;&lt;br /&gt;Gōsutohaitsu kanri kumiai (ゴーストハイツ管理組合)&lt;br /&gt;Angurēmu kokusai manga-sai repōto (アングレーム国際漫画祭レポート)&lt;br /&gt;Fasshon moderu norowareta furēmingu (ファッションモデル・呪われたフレーミング) | Published in English as "Fashion Model: Cursed Frame"&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;2016&lt;/strong&gt;&lt;br /&gt;Kubitsuri kikyū sairai (首吊り気球・再来)&lt;br /&gt;Shīizuasurōu~ōkā (シーイズアスローウォーカー)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;2017&lt;/strong&gt;&lt;br /&gt;Kyōfu no jūsō (恐怖の重層) | Published in English as "Layers of Terror"&lt;br /&gt;Ningen shikkaku (&lt;span&gt;人間失格&lt;/span&gt;) | Published in English as &lt;a target="_blank" rel="noopener noreferrer nofollow" class="text-primary underline" href="https://lis5472.cci.fsu.edu/sp26/group6/items/show/18"&gt;"No Longer Human"&lt;/a&gt; (2017 - 2018)&lt;br /&gt;Nottori (乗っ取り) | Published in English as &lt;a target="_blank" rel="noopener noreferrer nofollow" class="text-primary underline" href="https://lis5472.cci.fsu.edu/sp26/group6/items/show/14"&gt;"Takeover"&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;2018&lt;/strong&gt;&lt;br /&gt;Muma no kikō (夢魔の紀行) (2018 - 2019)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;2019&lt;/strong&gt;&lt;br /&gt;Wasuregatami (忘れ形見) | Published in English as "Keepsake"&lt;br /&gt;Yon suke saigo no dai dassō (よんすけ最後の大脱走)&lt;/p&gt;&#13;
&lt;h2&gt;2020s&lt;/h2&gt;&#13;
&lt;p&gt;&lt;strong&gt;2020&lt;/strong&gt;&lt;br /&gt;Genkai chitai (幻怪地帯) | Published in English as "The Liminal Zone" (2020 - 2021)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;2021&lt;/strong&gt;&lt;br /&gt;Genkai chitai Season 2 (幻怪地帯 Season 2) | Published in English as "The Liminal Zone 2" (2021 - 2022)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;2023&lt;/strong&gt;&lt;br /&gt;Kyōfu no shiohigari (恐怖の潮干狩り)&lt;br /&gt;Soratobu-do ningyō no yume (空飛ぶ土人形の夢)&lt;br /&gt;Sairen (サイレン) &lt;br /&gt;Soratobu enban (空飛ぶ円盤)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;2024&lt;/strong&gt;&lt;br /&gt;&lt;a target="_blank" rel="noopener noreferrer nofollow" class="text-primary underline" href="https://lis5472.cci.fsu.edu/sp26/group6/items/show/14"&gt;Tomie kontorōru (富江・コントロール)&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;2025&lt;/strong&gt;&lt;br /&gt;Utsukushī on'na (美しい女)&lt;/p&gt;</text>
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              <text>&lt;p&gt;Born in the countryside of Japan in Gifu Prefecture in 1963, Junji Ito (伊藤潤二) was very young when he discovered his love of horror manga in mangaka like &lt;a href="https://lis5472.cci.fsu.edu/sp26/group6/items/show/21" target="_blank" rel="noopener"&gt;Kazuo Umezu&lt;/a&gt; and Shinichi Koga, and soon, began to draw his own manga. &lt;br /&gt;&lt;br /&gt;In his early 20s, he worked as a dental tech and a mangaka, and claimed that the tricks that he learned shaping and finishing dentures helped to customize the tools of the trade for his manga.&amp;nbsp;&lt;/p&gt;&#13;
&lt;p&gt;Ito is widely considered the defining figure of contemporary horror manga, celebrated for his precise linework, unflinching body horror, and his ability to transform mundane objects into sources of existential dread. His series &lt;em&gt;Uzumaki&lt;/em&gt; and the short story collections published by Viz Media have reached global audiences.&lt;/p&gt;&#13;
&lt;p&gt;He has considered "Long Dream", "The Hanging Balloons" and "The Enigma of Amigara Fault" as some of his favorite of his works.&lt;br /&gt;&lt;br /&gt;For his manga, he has won the Eisner Award four times.&lt;/p&gt;</text>
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              <text>&lt;a href="https://web.archive.org/web/20210730195629/https://grapee.jp/en/116016" target="_blank" rel="noopener"&gt;Interview with Junji Ito&lt;/a&gt;</text>
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                <text>Ito, Junji</text>
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                <text>Jess Barnes</text>
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                <text>1963/2026</text>
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              <text>1936</text>
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              <text>&lt;h2&gt;1950s&lt;/h2&gt;&#13;
&lt;p&gt;&lt;strong&gt;1955&lt;/strong&gt; &lt;br /&gt;Mori no Kyoudai (森の兄妹) with Mizutani Takeko &lt;br /&gt;&lt;br /&gt;&lt;strong&gt;1958&lt;/strong&gt;&lt;br /&gt;Haha Yobu Koe (母呼ぶこえ) &lt;br /&gt;&lt;br /&gt;&lt;strong&gt;1959&lt;/strong&gt;&lt;br /&gt;Ningyō Shōjo (人形少女) &lt;br /&gt;Maboroshi Shōjo (まぼろし少女)&lt;/p&gt;&#13;
&lt;h2&gt;1960s&lt;/h2&gt;&#13;
&lt;p&gt;&lt;strong&gt;1962&lt;/strong&gt;&lt;br /&gt;Romansu no Kusuri (ロマンスの薬)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;1964&lt;/strong&gt;&lt;br /&gt;Yamabiko Shimai (山びこ姉妹)&lt;br /&gt;Nemuri Shōjo (ねむり少女) &lt;br /&gt;Hebi Obasan (へびおばさん) &lt;br /&gt;&lt;br /&gt;&lt;strong&gt;1965&lt;/strong&gt; &lt;br /&gt;Mama ga Kowai (ママがこわい) | Published in English as "Scared of Mama"&lt;br /&gt;Madara no Shōjo (まだらの少女) | Published in English as "The Spotted Girl"&lt;br /&gt;Benigumo (紅グモ) (1965 - 1966)&lt;br /&gt;Hangyojin (半魚人)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;1966&lt;/strong&gt;&lt;br /&gt;Hibiware Ningen (ひびわれ人間)&lt;br /&gt;Hebi Shōjo (へび少女) | Published in English as "Reptilia"&lt;br /&gt;Urutoraman (ウルトラマン) (1966 - 1967)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;1967&lt;/strong&gt;&lt;br /&gt;Nekome no Shōjo (ねこ目の少女)&lt;br /&gt;Nekome Kozō (猫目小僧) | Published in English as &lt;a href="https://lis5472.cci.fsu.edu/sp26/group6/items/show/8" target="_blank" rel="noopener"&gt;"Cat-Eyed Boy"&lt;/a&gt; (1967 - 1969, 1976)&amp;nbsp;&lt;br /&gt;Akanbo Shōjo (赤んぼ少女) &lt;br /&gt;Shisha no Kōshin (死者の行進)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;1968&lt;/strong&gt;&lt;br /&gt;SF Ishoku Tampenshū (SF異色短編集) (1968 - 1969) &lt;br /&gt;Kage (映像) &lt;br /&gt;Chō no Haka (蝶の墓) &lt;br /&gt;Orochi (おろち) | Published in English as "Orochi" (1969 - 1970)&lt;/p&gt;&#13;
&lt;h2&gt;1970s&lt;/h2&gt;&#13;
&lt;p&gt;&lt;strong&gt;1970&lt;/strong&gt;&lt;br /&gt;Iara (イアラ)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;&lt;/strong&gt;&lt;strong&gt;1971&lt;/strong&gt;&lt;br /&gt;Kaijū Gyō (怪獣ギョー) &lt;br /&gt;Agein (アゲイン) (1971 - 1972)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;1972&lt;/strong&gt; &lt;br /&gt;Hyōryū Kyōshitsu (漂流教室)&amp;nbsp; | Published in English as &lt;a href="https://lis5472.cci.fsu.edu/sp26/group6/items/show/35" target="_blank" rel="noopener"&gt;"The Drifting Classroom"&lt;/a&gt; (1972 - 1974)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;1974&lt;/strong&gt;&lt;br /&gt;Senrei (洗礼) (1974 - 1976)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;1976&lt;/strong&gt;&lt;br /&gt;Makoto-chan (まことちゃん) (1976 - 1981)&lt;/p&gt;&#13;
&lt;h2&gt;1980s&lt;/h2&gt;&#13;
&lt;p&gt;&lt;strong&gt;1982&lt;/strong&gt;&lt;br /&gt;Watashi wa Shingo (わたしは真悟) | Published in English as "My Name is Shingo"&amp;nbsp;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;1986&lt;/strong&gt;&lt;br /&gt;Kami no Hidarite Akuma no Migite (神の左手悪魔の右手) (1986 - 1988) &lt;br /&gt;&lt;br /&gt;&lt;strong&gt;1988&lt;/strong&gt;&lt;br /&gt;Chō! Makoto-chan (超!まことちゃん) (1988 - 1989)&lt;/p&gt;&#13;
&lt;h2&gt;1990s&lt;/h2&gt;&#13;
&lt;p&gt;&lt;strong&gt;1990&lt;/strong&gt;&lt;br /&gt;Fōtīn (14歳) (1990 - 1995)&lt;/p&gt;</text>
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              <text>&lt;p&gt;Kazuo Umezu (楳図かずお, 1936–2024) was a Japanese manga artist, musician, and public figure widely regarded as the founding father of horror manga. Born in Wakayama Prefecture and raised in the mountains of Nara, he debuted in 1955 while still in high school. Like many others in his generation, Umezu was inspired by Osamu Tezuka's 1947 work "Shin Takarajima" (新宝島) as a child, even though he would later criticize Tezuka's view of a bright future. Umezu would instead forge his own path, and set himself apart from Tezuka by going in the opposite direction: with stories that are often dark and horrific, though sometimes with comedic instances. After moving to Tokyo in 1962, he developed the visual language of "fear manga" (&lt;em&gt;kyōfu manga&lt;/em&gt;) - a term he coined - combining grotesque imagery drawn from Japanese folklore with psychological dread. Throughout the 1960s, especially in &lt;i&gt;shōjo&lt;/i&gt; magazines, he became known for his combination of gruesome imagery largely inspired by Japanese folktalkes with the manga industry at the time, becoming known as the Godfather of Horror Manga.&lt;/p&gt;&#13;
&lt;p&gt;&lt;a href="https://lis5472.cci.fsu.edu/sp26/group6/items/show/22" target="_blank" rel="noopener"&gt;Junji Ito&lt;/a&gt;, Toru Yamazaki and Minetarō Mochizuki have cited him as an influence. His career spanned four decades and dozens of series, from the post-apocalyptic &lt;em&gt;The Drifting Classroom&lt;/em&gt; to the comic &lt;em&gt;Makoto-chan&lt;/em&gt; to the science-fiction epic &lt;em&gt;Fourteen&lt;/em&gt;.Tendinitis forced his retirement from serialization in 1995. He received the Heritage Award at the 2018 Angoulême International Comics Festival.&lt;/p&gt;&#13;
&lt;a href="https://en.wikipedia.org/wiki/Kazuo_Umezu" target="_blank" rel="noopener"&gt;Read more about Kazuo Umezu on Wikipedia&lt;/a&gt;.</text>
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              <text>&lt;a href="https://umezz.or.jp/en/top-english/" target="_blank" rel="noopener"&gt;Kazuo Umezu's English language website&lt;/a&gt;</text>
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                <text>楳図 かずお</text>
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              <text>&lt;p&gt;Yuki Midorikawa (緑川ゆき) is a Japanese manga artist born in Kumamoto Prefecture in 1976. She began drawing manga as an elementary school student and first submitted work to &lt;em&gt;Hana to Yume&lt;/em&gt; during high school. She won the 18th LaLa Manga Grand Prix Fresh Debut award in 1998 for her short story &lt;em&gt;Coffee Hirari&lt;/em&gt;, launching a career in shōjo manga published primarily in Hakusensha's &lt;em&gt;LaLa&lt;/em&gt; and &lt;em&gt;LaLa DX&lt;/em&gt;.&lt;/p&gt;&#13;
&lt;p&gt;Her two most successful works are &lt;em&gt;Hotarubi no Mori e&lt;/em&gt;, a one-shot manga which received a film adaptation, and &lt;a target="_blank" class="text-primary underline" href="https://lis5472.cci.fsu.edu/sp26/group6/items/show/2" rel="noopener"&gt;Natsume's Book of Friends&lt;/a&gt;, an ongoing work which has been adapted into many other formats. The story follows a teenage boy who inherits a book of spirit names from his grandmother and slowly learns to navigate the boundary between the human and supernatural worlds. It was adapted into a seven-season anime (2008–2024) and two theatrical films, and was nominated for the first Manga Taisho award in 2008.&lt;/p&gt;&#13;
&lt;a href="https://en.wikipedia.org/wiki/Yuki_Midorikawa" target="_blank" rel="noopener"&gt;More information on Wikipedia.&lt;/a&gt;</text>
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              <text>&lt;h2&gt;1990s&lt;/h2&gt;&#13;
&lt;p&gt;&lt;strong&gt;1998&lt;/strong&gt;&lt;br /&gt;Kōhī Hirari (珈琲ひらり)&lt;br /&gt;Akaku Saku Koe (あかく咲く声) (1998 - 2000)&lt;/p&gt;&#13;
&lt;h2&gt;2000s&lt;/h2&gt;&#13;
&lt;p&gt;&lt;strong&gt;2000&lt;/strong&gt;&lt;br /&gt;Natsu ni wa Tameiki o Tsuku (夏にはため息をつく)&lt;/p&gt;&#13;
&lt;p&gt;&lt;strong&gt;2001&lt;/strong&gt;&lt;br /&gt;Hana Oi Bito (花追い人)&lt;br /&gt;Atsui Hibi (アツイヒビ)&lt;/p&gt;&#13;
&lt;p&gt;&lt;strong&gt;2002&lt;/strong&gt;&lt;br /&gt;Hotarubi no Mori e (蛍火の杜へ)&lt;br /&gt;Kurukuru Ochiba (くるくる落ち葉)&lt;br /&gt;Hi-iro no Isu (緋色の椅子) (2002 - 2004)&lt;/p&gt;&#13;
&lt;p&gt;&lt;strong&gt;2003&lt;/strong&gt;&lt;br /&gt;Hibi, Fukaku (ひび、深く)&lt;br /&gt;Hanauta Nagaruru (花唄流るる)&lt;br /&gt;Taion no Kakera (体温のかけら)&lt;br /&gt;Natsume Yūjinchō (夏目友人帳) | Published in English as &lt;a target="_blank" class="text-primary underline" href="https://lis5472.cci.fsu.edu/sp26/group6/items/show/2" rel="noopener"&gt;Natsume's Book of Friends&lt;/a&gt; (2003, 2005 - present)&lt;/p&gt;&#13;
&lt;p&gt;&lt;strong&gt;2005&lt;/strong&gt;&lt;br /&gt;Hoshi mo Mienai (星も見えない)&amp;nbsp;&lt;/p&gt;&#13;
&lt;h2&gt;2010s&lt;/h2&gt;&#13;
&lt;p&gt;&lt;strong&gt;2011&lt;br /&gt;&lt;/strong&gt;Aizoban Hotarubi no Mori e&lt;strong&gt; &lt;/strong&gt;(愛蔵版　蛍火の杜へ)&lt;/p&gt;</text>
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                <text>&lt;p&gt;&lt;a target="_blank" class="text-primary underline" href="https://lis5472.cci.fsu.edu/sp26/group6/items/show/39" rel="noopener"&gt;Kawashima, Norikazu&lt;/a&gt;&lt;/p&gt;</text>
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&lt;summary style="display: inline-block; cursor: zoom-in;"&gt;&lt;img src="https://threadripper.tail4e4fb.ts.net/api/reader/image?chapterId=1945&amp;amp;apiKey=2tEHchoxnp1wIPex4l8nHZ0Y8IIybmo9&amp;amp;page=29" alt="Preview Manga Page" style="max-width: 300px; display: block;" /&gt;&lt;/summary&gt;&#13;
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                <text>&lt;a target="_blank" class="text-primary underline" href="https://lis5472.cci.fsu.edu/sp26/group6/items/show/22" rel="noopener"&gt;Ito, Junji&lt;/a&gt;</text>
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          <name>Secondary Subgenre</name>
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                <text>&lt;a href="https://lis5472.cci.fsu.edu/sp26/group6/items/show/20" target="_blank" rel="noopener"&gt;Midorikawa, Yuki&lt;/a&gt;</text>
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              <elementText elementTextId="381">
                <text>Manga</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="56">
            <name>Date Created</name>
            <description>Date of creation of the resource.</description>
            <elementTextContainer>
              <elementText elementTextId="383">
                <text>03/22/2026</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="38">
            <name>Coverage</name>
            <description>The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant</description>
            <elementTextContainer>
              <elementText elementTextId="563">
                <text>2003/2026</text>
              </elementText>
            </elementTextContainer>
          </element>
        </elementContainer>
      </elementSet>
    </elementSetContainer>
  </item>
</itemContainer>
